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Стр. 88
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems ...
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems ...
Стр. 94
can it be / That modesty may more betray our sense / Than woman's lightness ? " ( 2.2.162 , 168-70 ) . Angelo retreats almost immediately from the vertiginous implications of this question . For the space of a single sentence ...
can it be / That modesty may more betray our sense / Than woman's lightness ? " ( 2.2.162 , 168-70 ) . Angelo retreats almost immediately from the vertiginous implications of this question . For the space of a single sentence ...
Стр. 146
That [ these events ] had a real truth in history , sharpens the sense of pain , while it hangs a leaden weight on the heart and the imagination . . . [ W ] e think that the actual truth of the particular events , in proportion as we ...
That [ these events ] had a real truth in history , sharpens the sense of pain , while it hangs a leaden weight on the heart and the imagination . . . [ W ] e think that the actual truth of the particular events , in proportion as we ...
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York
Библиографические данные
| Название | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Издатель | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Экспорт цитаты | BiBTeX EndNote RefMan |