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Стр. 110
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Стр. 184
In practice , we found that the three plays display a unique stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 190 ) unexpectedly combined with exploitation of the ...
In practice , we found that the three plays display a unique stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 190 ) unexpectedly combined with exploitation of the ...
Стр. 312
For anyone concerned , as I am here , with the cultural construction of emotions and other forms of affect , the popular stage represents a unique historical resource , and one whose significance in its own time cannot be limited to the ...
For anyone concerned , as I am here , with the cultural construction of emotions and other forms of affect , the popular stage represents a unique historical resource , and one whose significance in its own time cannot be limited to the ...
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York
Библиографические данные
| Название | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Издатель | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Экспорт цитаты | BiBTeX EndNote RefMan |