Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 134
... tragic spectacles , the play looks more comic than tragic , at least in the broad sense that theater of the absurd is essentially comic . Richard II is more than anything else a study of absurdity : rhetorical , historical and political ...
... tragic spectacles , the play looks more comic than tragic , at least in the broad sense that theater of the absurd is essentially comic . Richard II is more than anything else a study of absurdity : rhetorical , historical and political ...
Стр. 135
... tragic death . However , Richard's death is but the climax of Scene 5 , and it may take on a tragic quality from what has gone before , most notably Richard's dungeon soliloquy , where some commentators find the culmination of a process ...
... tragic death . However , Richard's death is but the climax of Scene 5 , and it may take on a tragic quality from what has gone before , most notably Richard's dungeon soliloquy , where some commentators find the culmination of a process ...
Стр. 399
... tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the tragic genre and an abandonment of the central word - mode which nour- ishes tragedies , that is ...
... tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the tragic genre and an abandonment of the central word - mode which nour- ishes tragedies , that is ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York