The Quarterly Review, Volumes 222-242John Murray, 1924 |
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Page 4
... stage I was mounted on the six - component balance and stage II was mounted on a translating strut ( fig . 2 ) which was remotely operated during the separation of these stages . Since the translating strut afforded values of xs / d2 ...
... stage I was mounted on the six - component balance and stage II was mounted on a translating strut ( fig . 2 ) which was remotely operated during the separation of these stages . Since the translating strut afforded values of xs / d2 ...
Page
... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
Page 72
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
Contents
The League of Nations | 1 |
Mediæval Music | 5 |
The Study of Earthquakes | 7 |
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