The Complete Works of William Hazlitt, Volume 6 |
From inside the book
Results 1-3 of 51
Page 376
The Essais of Michael de Montaigne ( 1533-1592 ) , were published , Books I. and II . in 1580 , Book 111. in 1588 . 6 upon an exact scale of Ibid . 93. According to an exact scale . Cf. Trying them . . Bossu's . Tristram Shandy , Book ...
The Essais of Michael de Montaigne ( 1533-1592 ) , were published , Books I. and II . in 1580 , Book 111. in 1588 . 6 upon an exact scale of Ibid . 93. According to an exact scale . Cf. Trying them . . Bossu's . Tristram Shandy , Book ...
Page 398
Book 1. Song 5 . The bues of the rainbow . Book II . Song 3 . The Shepherd's Pipe , 1614 . The Inner Temple Mask , 1620 . Marino . Giambattista Marini ( 1569-1625 ) . 316. His form had not yet lost . Paradise Lost , 1. 591-4 . 318.
Book 1. Song 5 . The bues of the rainbow . Book II . Song 3 . The Shepherd's Pipe , 1614 . The Inner Temple Mask , 1620 . Marino . Giambattista Marini ( 1569-1625 ) . 316. His form had not yet lost . Paradise Lost , 1. 591-4 . 318.
Page 399
Dedication to First Book . 329. Neither can the experience . Book 1. chap . ii . § 3 . The corrupter sort of mere politiques . Book 1. chap . iii . § 6 . In our author's phrase . Ibid . His character of the school - men .
Dedication to First Book . 329. Neither can the experience . Book 1. chap . ii . § 3 . The corrupter sort of mere politiques . Book 1. chap . iii . § 6 . In our author's phrase . Ibid . His character of the school - men .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
admiration affectation appeared beauty become better Book called character comedy comic common criticism death delight English equal excellent expression eyes face fancy feeling force friends genius give given grace hand head heart human humour idea imagination imitation instance interest John keep kind kings Lady laugh learning leave Lectures less light live look Lord lost manners matter means mind moral nature never night object observation original passage passion perhaps period person play pleasure poet poetry present produced reason Scene seems sense sentiment Shakespear shew sort speak spirit stage story striking style sweet tell thee thing thou thought tragedy true truth turn whole wife writers young