Oral InterpretationHoughton Mifflin, 1952 - Всего страниц: 596 |
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Стр. 231
... experience , so in turn the reader , as oral interpreter , on encountering the word - symbol that stands for the image , reaches back to a selected experience , re - creates in con- crete terms , makes sensory response , and finally ...
... experience , so in turn the reader , as oral interpreter , on encountering the word - symbol that stands for the image , reaches back to a selected experience , re - creates in con- crete terms , makes sensory response , and finally ...
Стр. 433
... experience for his delight , and manipulates it into wisdom so that it becomes , frequently , the whole experience of living . In so far as we can analyze the content , then , this poem has as its starting point the delight of snow ...
... experience for his delight , and manipulates it into wisdom so that it becomes , frequently , the whole experience of living . In so far as we can analyze the content , then , this poem has as its starting point the delight of snow ...
Стр. 528
... experience or what follows it , since his concern is , with sharing the experience , not explaining it . The interpreter , however , will find that sketching in some appro- priate background , in his own mind , enhances his appreciation ...
... experience or what follows it , since his concern is , with sharing the experience , not explaining it . The interpreter , however , will find that sketching in some appro- priate background , in his own mind , enhances his appreciation ...
Содержание
What Is Oral Interpretation? ය | 3 |
Selection and Evaluation of Material | 13 |
Analysis Preparation and Presentation of Material | 51 |
Авторские права | |
Не показаны другие разделы: 15
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achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA Hedda Gabler imagery important inter interpreter's Lady Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing