Oral InterpretationHoughton Mifflin, 1952 - 596 pages |
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Page 153
... eyes , to death's other Kingdom Remember us - if at all — not as lost - Violent souls , but only As the hollow men The stuffed men . II Eyes I dare not meet in dreams In death's dream kingdom These do not appear : There , the eyes are ...
... eyes , to death's other Kingdom Remember us - if at all — not as lost - Violent souls , but only As the hollow men The stuffed men . II Eyes I dare not meet in dreams In death's dream kingdom These do not appear : There , the eyes are ...
Page 160
... eyes of those who know too much . The world has a way with eyes . Oh , eyes there are : Eyes that forlornly fawn like mongrel dogs ; Or move as suavely as silt in a beaver - dam Flows over treacherous sunken logs ; Eyes that are ...
... eyes of those who know too much . The world has a way with eyes . Oh , eyes there are : Eyes that forlornly fawn like mongrel dogs ; Or move as suavely as silt in a beaver - dam Flows over treacherous sunken logs ; Eyes that are ...
Page 299
... eyes he turned upon her were eyes of longing and love , but her face was as im- passive as a Benda mask , and the only remark she made during the preliminary bustlings was that there seemed to be a number of people in the audience . But ...
... eyes he turned upon her were eyes of longing and love , but her face was as im- passive as a Benda mask , and the only remark she made during the preliminary bustlings was that there seemed to be a number of people in the audience . But ...
Contents
What Is Oral Interpretation? ය | 3 |
Selection and Evaluation of Material | 13 |
Analysis Preparation and Presentation of Material | 51 |
Copyright | |
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achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA Hedda Gabler imagery important inter interpreter's Lady Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing