Oral InterpretationHoughton Mifflin, 1952 - Всего страниц: 596 |
Результаты поиска по книге
Результаты 1 – 3 из 65
Стр. 122
... speaking to each other , will also demand a sharp focus of projection to make the voice seem to go directly to a particular area and still be audible in every other part of the room . Suggestions for Practice on Projection - One of ...
... speaking to each other , will also demand a sharp focus of projection to make the voice seem to go directly to a particular area and still be audible in every other part of the room . Suggestions for Practice on Projection - One of ...
Стр. 286
... speaking are sex and maturity . The next step is to discover personal characteristics which establish him as an individual - his point of view , his degree of emotional intensity at the moment , and any significant vocal and physical ...
... speaking are sex and maturity . The next step is to discover personal characteristics which establish him as an individual - his point of view , his degree of emotional intensity at the moment , and any significant vocal and physical ...
Стр. 401
... speaking , not by the hypothetical position of the character being addressed . In the first place , an audience quickly becomes accustomed to having a certain character speak at a certain angle . It helps identify that character . This ...
... speaking , not by the hypothetical position of the character being addressed . In the first place , an audience quickly becomes accustomed to having a certain character speak at a certain angle . It helps identify that character . This ...
Содержание
What Is Oral Interpretation? ය | 3 |
Selection and Evaluation of Material | 13 |
Analysis Preparation and Presentation of Material | 51 |
Авторские права | |
Не показаны другие разделы: 15
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA Hedda Gabler imagery important inter interpreter's Lady Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing