Oral InterpretationHoughton Mifflin, 1952 - Всего страниц: 596 |
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Стр. 434
... stanzas identical in structure , using four lines for each . The first stanza is technically the intro- duction . The poet gives the setting , without any detailed descrip- tion . He reveals where he is and what he is doing . Only in To ...
... stanzas identical in structure , using four lines for each . The first stanza is technically the intro- duction . The poet gives the setting , without any detailed descrip- tion . He reveals where he is and what he is doing . Only in To ...
Стр. 473
... stanzas are rather rare , particularly in modern poetry . Stanzas of three , five , six , seven , and eight lines are common enough ; and the nine - line Spenserian stanza is familiar to readers of Keats , Shelley , Byron , and other ...
... stanzas are rather rare , particularly in modern poetry . Stanzas of three , five , six , seven , and eight lines are common enough ; and the nine - line Spenserian stanza is familiar to readers of Keats , Shelley , Byron , and other ...
Стр. 476
... stanzas , or has emphasized stanza divisions by repeti- tion , the interpreter will assume that this strict discipline serves a definite purpose . On the other hand , when the stanzas are long or irregular in length , the interpreter ...
... stanzas , or has emphasized stanza divisions by repeti- tion , the interpreter will assume that this strict discipline serves a definite purpose . On the other hand , when the stanzas are long or irregular in length , the interpreter ...
Содержание
What Is Oral Interpretation? ය | 3 |
Selection and Evaluation of Material | 13 |
Analysis Preparation and Presentation of Material | 51 |
Авторские права | |
Не показаны другие разделы: 15
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Часто встречающиеся слова и выражения
achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA Hedda Gabler imagery important inter interpreter's Lady Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing