Periodical Criticism, Volume 2Cadell, 1835 |
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Page 1
... French of NICOLAS DE HERBERAY , by WILLIAM STEWART ROSE . - From Edinburgh Review for Oct. 1803. ] THE fame of Amadis de Gaul has reached to the present day , and has indeed become almost provin- cial in most languages of Europe . But ...
... French of NICOLAS DE HERBERAY , by WILLIAM STEWART ROSE . - From Edinburgh Review for Oct. 1803. ] THE fame of Amadis de Gaul has reached to the present day , and has indeed become almost provin- cial in most languages of Europe . But ...
Page 2
... Lobeira can justly claim the merit of being the original author of this famous and interesting romance . Nicolas de Her- beray , who translated Montalvo's work into French in 1575 2 CRITICISM ON NOVELS AND ROMANCES .
... Lobeira can justly claim the merit of being the original author of this famous and interesting romance . Nicolas de Her- beray , who translated Montalvo's work into French in 1575 2 CRITICISM ON NOVELS AND ROMANCES .
Page 3
... French extraction . The earliest tales of romance which are known to us , are uniformly in verse ; and this was very natural ; for they were in a great measure the com- position of the minstrels , who gained their liveli- hood by ...
... French extraction . The earliest tales of romance which are known to us , are uniformly in verse ; and this was very natural ; for they were in a great measure the com- position of the minstrels , who gained their liveli- hood by ...
Page 6
... if we recollect aright , conceited himself to be descended of the doughty Knight of the Swan ; and , what is somewhat to our present purpose , the French family of Bonneau deduce their pedi- gree from 6 CRITICISM ON NOVELS AND ROMANCES .
... if we recollect aright , conceited himself to be descended of the doughty Knight of the Swan ; and , what is somewhat to our present purpose , the French family of Bonneau deduce their pedi- gree from 6 CRITICISM ON NOVELS AND ROMANCES .
Page 7
... French minstrels a tale of their country , founded probably upon some ancient and vague tradition , in the same ... French Romance mentioned in an ancient collection of stories , called Cursor Mundi , translated from the French into ...
... French minstrels a tale of their country , founded probably upon some ancient and vague tradition , in the same ... French Romance mentioned in an ancient collection of stories , called Cursor Mundi , translated from the French into ...
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Common terms and phrases
acquaintance adventures Amadis Amadis de Gaul ambassador Anabaptist ancient appear beautiful become Bertram betwixt bothy Bunyan Caleb Williams called castle character chivalry circumstances composition Courcy daughter death degree described effect Elstow excited eyes fancy father favour fear feeling fiction Fleetwood Frankenstein French Galaor genius Hajji Baba hand heard heart hero Hoffmann honour human imagination incidents interest John Bunyan King knights lady Lancaster language length light Lisuarte Lobeira lover manner marvellous melancholy ment merit mind Mirza moral Musaeus narration narrative nature never novel Oriana passion perhaps Persian person Pilgrim's Progress poetry Portugal present prose racter reader recollection remarkable resemblance romance romantic fiction scene seemed singular Southey species spirit story style supernatural supposed tale talents taste terror thing thou thought tion Tizona Valencia Vasco de Lobeira Wentworth wife writing XVIII young Zaira
Popular passages
Page 115 - He that is down needs fear no fall; He that is low, no pride. He that is humble, ever shall Have God to be his guide.
Page 271 - This opinion, which perhaps prevails as far as human nature is diffused, could become universal only by its truth: those that never heard of one another would not have agreed in a tale which nothing but experience can make credible. That it is doubted by single cavillers, can very little weaken the general evidence; and some who deny it with their tongues confess it by their fears.
Page 274 - A thousand fantasies Begin to throng into my memory, Of calling shapes, and beck'ning shadows dire, And airy tongues, that syllable men's names On sands, and shores, and desert wildernesses.
Page 321 - Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost, That breaks his magic chains at curfew time, No goblin or swart faery of the mine, Hath hurtful power o'er true virginity.
Page 115 - Wouldst thou divert thyself from melancholy? Wouldst thou be pleasant, yet be far from folly? Wouldst thou read riddles, and their explanation, Or else be drowned in thy contemplation? Dost thou love picking meat? Or wouldst thou see A man i' th' clouds and hear him speak to thee?
Page 275 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up: It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Page 81 - Just when he was come over against the mouth of the burning pit, one of the wicked ones got behind him, and stepped up softly to him, and whisperingly suggested many grievous blasphemies to him, which he verily thought had proceeded from his own mind.
Page 275 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
Page 171 - I have almost forgot the taste of fears : The time has been, my senses would have cool'd To hear a night-shriek ; and my fell of hair Would at a dismal treatise rouse and stir As life were in't : I have supp'd full with horrors ; Direness, familiar to my slaughterous thoughts, Cannot once start me.
Page 258 - I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.