Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandGood Press, 19 мая 2021 г. - Всего страниц: 331 Georg Brandes in the book "Main Currents in Nineteenth-Century Literature - 4. Naturalism in England" describes the concept, history, and philosophy of naturalism within England. It covers a combination of prose and poetry in describing the various types of naturalism in existence including radical naturalism, historical naturalism, etc., and their association with other amazing concepts. |
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... Shelley's spiritualism and dissolution of all solid form into ethereal music recalls the ardour and vagueness of Novalis. [1] This "oppression" was what today would be called "cultural imperialism". It should be remembered that the ...
... Shelley's spiritualism and dissolution of all solid form into ethereal music recalls the ardour and vagueness of Novalis. [1] This "oppression" was what today would be called "cultural imperialism". It should be remembered that the ...
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... Shelley's Cenci is in reality Naturalism. In other words, Naturalism is so powerful in England that it permeates Coleridge's Romantic supernaturalism, Wordsworth's Anglican orthodoxy, Shelley's atheistic spiritualism, Byron's ...
... Shelley's Cenci is in reality Naturalism. In other words, Naturalism is so powerful in England that it permeates Coleridge's Romantic supernaturalism, Wordsworth's Anglican orthodoxy, Shelley's atheistic spiritualism, Byron's ...
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... Shelley's passion for the sea and sailing lives and breathes in the billowy rhythm of his verse and in all the poems which extol wind and wave—above all others that masterpiece, the Ode to the West Wind. Transferred to the domain of ...
... Shelley's passion for the sea and sailing lives and breathes in the billowy rhythm of his verse and in all the poems which extol wind and wave—above all others that masterpiece, the Ode to the West Wind. Transferred to the domain of ...
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... Shelley—the thing happens, as it were, secretly, quite insensibly, so that it is not alluded to, or at any rate not acknowledged as influence by the recipient. An American author has aptly described this characteristic of the race in ...
... Shelley—the thing happens, as it were, secretly, quite insensibly, so that it is not alluded to, or at any rate not acknowledged as influence by the recipient. An American author has aptly described this characteristic of the race in ...
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... Shelley, as Radicals, side with all the oppressed nations. In excepting such an author as Keats, who may almost be said to have been devoted to art for art's sake, we must not forget that he died at the age of twenty-five. The intense ...
... Shelley, as Radicals, side with all the oppressed nations. In excepting such an author as Keats, who may almost be said to have been devoted to art for art's sake, we must not forget that he died at the age of twenty-five. The intense ...
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