Shakespearean CriticismCengage Gale, 2002 - Всего страниц: 432 This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Стр. 321
... Macbeth is overcome with a temporal vertigo that dizzies his speech . For example , when he learns that he has been named Thane of Cawdor , he says , " The greatest is behind " ( 1.3.117 ) . Macbeth's conscious meaning is that the ...
... Macbeth is overcome with a temporal vertigo that dizzies his speech . For example , when he learns that he has been named Thane of Cawdor , he says , " The greatest is behind " ( 1.3.117 ) . Macbeth's conscious meaning is that the ...
Стр. 322
Michelle Lee. freedom not available to Macbeth as subject , seems to of- fer the promise of a new temporality in which time and death become subject to the self . Macbeth , like the sublime poet , like the savage idolator , thus creates ...
Michelle Lee. freedom not available to Macbeth as subject , seems to of- fer the promise of a new temporality in which time and death become subject to the self . Macbeth , like the sublime poet , like the savage idolator , thus creates ...
Стр. 324
... Macbeth , " Throw physic to the dogs , I'll none of it " ( 5.3.47 ) . Having acknowledged his fate as time's fool , he is determined only to fight the course , to see the dismal story out , to meet his enemy on the field beard to beard ...
... Macbeth , " Throw physic to the dogs , I'll none of it " ( 5.3.47 ) . Having acknowledged his fate as time's fool , he is determined only to fight the course , to see the dismal story out , to meet his enemy on the field beard to beard ...
Содержание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young