Shakespearean CriticismCengage Gale, 2002 - Всего страниц: 432 This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Стр. 62
... play includes both the traditional definitions of women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in the play is articulated by its women ...
... play includes both the traditional definitions of women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in the play is articulated by its women ...
Стр. 119
... play nevertheless reflects patriarchal concern regarding the potentially destructive quality of female sexuality . Other areas of critical interest include the play's form , style , and structure , as well as its language and imagery ...
... play nevertheless reflects patriarchal concern regarding the potentially destructive quality of female sexuality . Other areas of critical interest include the play's form , style , and structure , as well as its language and imagery ...
Стр. 268
... play . Prospero creates or controls the play's intrigues and keeps us informed of his plotting as the action develops . With the help of Ariel he presents another play for Ferdinand and Miranda , the masque . At the end he steps forth ...
... play . Prospero creates or controls the play's intrigues and keeps us informed of his plotting as the action develops . With the help of Ariel he presents another play for Ferdinand and Miranda , the masque . At the end he steps forth ...
Содержание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторские права | |
Не показаны другие разделы: 9
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young