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Стр. 62
Whereas the dominant sexuality in the play includes both the traditional definitions of women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in ...
Whereas the dominant sexuality in the play includes both the traditional definitions of women advanced by the Duke and Lucio and other predictable patterns of relations between men and women , the most viable alternative sexuality in ...
Стр. 69
The assumptions about men's and women's sexuality that the exchange is based on are , in fact , little different than ... can call their own , in the scenes at the widow's home in Florence , connections among women do mark a spot of ...
The assumptions about men's and women's sexuality that the exchange is based on are , in fact , little different than ... can call their own , in the scenes at the widow's home in Florence , connections among women do mark a spot of ...
Стр. 72
My reading of the position of women at the end of the play differs from both Williamson's and Neely's . Williamson argues that Shakespeare's splitting of his central female figure into Helena and Diana diffuses women's power ( 69-72 ) .
My reading of the position of women at the end of the play differs from both Williamson's and Neely's . Williamson argues that Shakespeare's splitting of his central female figure into Helena and Diana diffuses women's power ( 69-72 ) .
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Содержание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторские права | |
Не показаны другие разделы: 9
Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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