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460

SPECIMEN OF WORDSWORTH'S VERSE.

A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean, and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit that impels
All thinking tiiings, all objects of all thonght,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods
And mountains, and of all that we behold
From this green earth,-of all the mighty world
Of eye and ear, both what they half create
And what perceive; well pleased to recognise
In nature, and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of iny heart, and soul
Of all my moral being.

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DISTINGUISHED as a descriptive poet by his fine Lays of Ancient Rome, and yet more distinguished as a master of English prose by his Essays and his noble History of England, Macaulay stands prominent among the highest literary names of the nineteenth century. When, amid the Christmas festivities of 1859, a mournful whisper crept into almost every home in the land, telling of his death, there were few hearts so thoroughly engrossed by the pleasures of the passing hour as not to send a thought of affectionate sorrow into that quiet room at Kensington, where the great Historian and Essayist—the only man whom England ever made a lord for the power of his pen—lay mute and still among his cherished books and the half-written sheets of his unfinished volume.

Macaulay was of Scottish lineage, being a descendant of the Macaulays of Lewis in Ross-shire. His grandfather, John, was a Presbyterian minister. His father, Zachary, who spent part of his life in Jamaica, became well known for his exertions in opposition to the hateful slave-trade. At Rothley Temple in Leicestershire, the seat of Zachary's brother-in-law, a rich English merchant and member of Parliament, the future historian was born in 1800, and was named Thomas Babington, after the uncle in whose house he first saw the light.

Young Macaulay's career as a student of Trinity College, Cambridge, was crowned with high honours. Entering in 1818, he

462

ARTICLE ON

MILTON."

obtained in the following year the Chancellor's medal for a poeni called Pompeii ; in 1821 he received a similar distinction for a poem on Evening, and was, besides, elected to the Craven scholarship; and he had been for a year Fellow of Trinity when, in 1825, he took his degree of Master of Arts. And in the arena of the Union Debating Society, where the keenest and brightest minds of Cambridge met to display their skill in fence, few could measure weapons with Babington Macaulay. Such honours formed no unfitting prelude for the career of literary and political renown upon which he entered without delay. While yet an undergraduate, he had contributed to The Etonian, a short-lived serial conducted by Praed, his most formidable rival at the Union ; and had also, in company with that author of “Quince" and the “Red Fisherman," written for Knight's Quarterly Magazine. Here his first public laurels were won. But the young student of law-he was now working away at Lincoln's Inn in preparation for his call to the bar-before donning the legal robe, had achieved a success of which many older men might well be proud. Milton's newly-found treatise on “Christian Doctrine having been rendered into English, Macaulay contributed to

an August number of the “ Edinburgh Review” that 1825 article on Milton, which must be regarded as the

starting-point of his literary fame. It was brilliant

even to excess. The writer himself, when the added skill and taste of nearly twenty years had chastened bis style, condemned this article, as being "overloaded with gaudy and ungraceful ornament.” But its appearance was felt, by all the reading public, to mark the rising of a new star of uncommon lustre above the horizon; and it is easier to forgive an excess of real brilliance, which, we know, coming years must purify and subdue, than to endure a poverty of light, or, still worse, that display of pinchbeck jewels, glittering with affected lustre, of which our young literature is too full.

About six months after the appearance of Milton, the writer was called to the English bar. We pass lightly over his professional and political career. His Whig friends soon made him a

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MACAULAY'S POLITICAL CAREER.

463

Commissioner of Bankruptcy. He took his seat in 1830 as member for Calne. He spoke often and with great power in the battle of the Reform Bill, and won considerable reputation as an orator, although his delivery was monotonous and he lacked some of the physical qualities of a telling speaker. His orations were rather brilliant political essays than great outbursts of natural eloquence, like the speeches of Chatham or Burke. From 1832 to 1834 he was member for Leeds. And then he went out to India as legal adviser to the Supreme Council of Calcutta, his principal business there being the preparation of a new penal code of Indian law. The formation of this code led him to the investigation of Indian history, a study which bore fine fruit in his Essays on Lord Clive and Warren Hastings, the principal literary results of the two years and a half which he spent in the East. Many of his best articles in the “Edinburgh" came home by the Indian mail, recreations of his leisure at Calcutta. In 1839 Macaulay, then newly returned from India, hecame member for Edinburgh, upon taking office under Lord Melbourne as Secretary at War, and this connection with the Scottish capital lasted for eight years. Under Lord John (now Earl) Russell, he was in 1846 appointed Paymaster-General of the Forces; but, in the following year, his vote in favour of the Maynooth grant having given offence to some of the Edinburgh electors, he was beaten at the poll by Mr. Cowan.

The defeat was a victory. Macaulay the member for Edinburgh, sinking out of public view for two years, emerges as Macaulay the historian of England. Living chiefly at the Albany, and spending many of his mornings among the literary treasures of the British Museum, quartering himself for weeks at a country ale-house in the village of Weston Zoyland, that he might write his stirring and vivid description of the battle of Sedgemoor on the very spot, he devoted all his strength to more enduring work than Essays in the “ Edinburgh Review.” The first two volumes of The History of England from the Accession of James the Second, published in 1849, were received with an 1849 enthusiasm fully equal to the reception of Gibbon's

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464

MACAULAY'S “ HISTORY OF ENGLAND."

us ;

Decline and Fall. The plan was a great one.

“I

purpose to write the history of England from the accession of King James the Second down to a time which is within the memory of men still living," are the opening words of the opening chapter. He has brought the work down only to the death of William the Third, and that with gaps in the concluding and imperfect volume. We cannot say that a History from the time of James the Second down to the battle of Waterloo or the death of blind old King George, written by so great a pen within the compass of half-a-dozen volumes, would have been a book of little interest to the general reader, for we know what brilliant summaries of historical periods, all glowing with colour and filled with life, the Essayist has given

but a summarized History would greatly lack the charm with which the volumes of Macaulay enchain us, as we pass in review the panorama of court and camp and council-room and country-house, unfolded to our delighted gaze. To condense the Rebellion of Monmouth, the Trial of the Bishops, the Siege of Derry, the Battle of the Boyne, or the Massacre of Glencoe into fewer pages, would be to squeeze out most of the splendid colouring that reminds us of Titian or Tintoretto, and scatter to the winds those little traits of personal appearance and individual action—those glimpses of weather, scenery, costume, and domestic life-- which make authentic history read, in his pictured pages, like a tale of romance. One of Macaulay's favourite maxims-how greatly in description the particular excels the general—is finely exemplified by all his writings. The third and fourth volumes of the History were published in 1855. Cartloads of copies left the publisher's ware-room, and the presses could hardly work quick enough to keep pace with the demand. The last volume, published in the present year (1861), is formed of such manuscripts as were found among his papers after death, partly revised, partly in original roughness (which, however, surpasses the elaborate smoothness of most other men). The Death-bed of Dutch William is the last scene described; but the narrative of the fifth volume is not continuous, it being wisely thought better to leave the fragments as the dead artist's hand had left them, than to

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