Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 88
... least understand ; but likewise by following the order , in which the words of such men are wont to succeed each other . Now this order , in the intercourse of uneducated men , is distinguished from the diction of their superiors in ...
... least understand ; but likewise by following the order , in which the words of such men are wont to succeed each other . Now this order , in the intercourse of uneducated men , is distinguished from the diction of their superiors in ...
Стр. 96
... least , attempted to win or compel it by argumenta- tive analysis . In my conception at least , the lines rejected as of no value do , with the exception of the two first , differ as much and as little from the language of common life ...
... least , attempted to win or compel it by argumenta- tive analysis . In my conception at least , the lines rejected as of no value do , with the exception of the two first , differ as much and as little from the language of common life ...
Стр. 182
... least very good reason , for believing it intended as a series of lyrics ; but , granting the epic intention , I can say only that the work is based in an imperfect sense of Art . The modern epic is of the supposititious ancient model ...
... least very good reason , for believing it intended as a series of lyrics ; but , granting the epic intention , I can say only that the work is based in an imperfect sense of Art . The modern epic is of the supposititious ancient model ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
Авторские права | |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings