Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 278
... manner which is always pitched in another key from that of prose , a manner changed and heightened ; the Elizabethan style , regnant in most of our dramatic poetry to this day , is mainly the continuation of this manner of Shakspeare's ...
... manner which is always pitched in another key from that of prose , a manner changed and heightened ; the Elizabethan style , regnant in most of our dramatic poetry to this day , is mainly the continuation of this manner of Shakspeare's ...
Стр. 288
... manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the ...
... manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are asked to define this mark and accent in the ...
Стр. 300
... manner , the manner of Burns has spring , bounding swiftness . Burns is by far the greater force , though he has perhaps less charm . The world of Chaucer is fairer , richer , more significant than that of Burns ; but when the largeness ...
... manner , the manner of Burns has spring , bounding swiftness . Burns is by far the greater force , though he has perhaps less charm . The world of Chaucer is fairer , richer , more significant than that of Burns ; but when the largeness ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
Часто встречающиеся слова и выражения
admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings