Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 24
... mind is left at liberty , and even summoned , to act upon its thoughts and images . But , though the accompaniment of a musical instrument be frequently dispensed with , the true poet dose not therefore abandon his privilege distinct ...
... mind is left at liberty , and even summoned , to act upon its thoughts and images . But , though the accompaniment of a musical instrument be frequently dispensed with , the true poet dose not therefore abandon his privilege distinct ...
Стр. 214
... minds upon each other and upon the world around them . Two brothers of different characters and fortunes , and strangers to each other , meet . Their habits of mind ; the formation of those habits by external circumstances , their ...
... minds upon each other and upon the world around them . Two brothers of different characters and fortunes , and strangers to each other , meet . Their habits of mind ; the formation of those habits by external circumstances , their ...
Стр. 216
... mind in the very centre of that circle from which all the rays have their origin and range ; whereas minds otherwise placed command but a portion of the whole circuit of poetry . Allowing for human infirmity and the varieties of opinion ...
... mind in the very centre of that circle from which all the rays have their origin and range ; whereas minds otherwise placed command but a portion of the whole circuit of poetry . Allowing for human infirmity and the varieties of opinion ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings