Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 277
... STYLE If I were asked where English poetry got these three things — its turn for style , its turn for melancholy , and its turn for natural magic , for catching and rendering the charm of ... style of prose MATTHEW ARNOLD 277 STYLE, 1880.
... STYLE If I were asked where English poetry got these three things — its turn for style , its turn for melancholy , and its turn for natural magic , for catching and rendering the charm of ... style of prose MATTHEW ARNOLD 277 STYLE, 1880.
Стр. 278
... style of the passage from Milton a style which seems to have for its cause a certain pressure of emotion , and an ever - surging , yet bridled , excitement in the poet , giving a special intensity to his way of delivering himself . In ...
... style of the passage from Milton a style which seems to have for its cause a certain pressure of emotion , and an ever - surging , yet bridled , excitement in the poet , giving a special intensity to his way of delivering himself . In ...
Стр. 279
... style for German poetry , as well as to provide contents for this style to carry ; and thus his labour as a poet was doubled . It is to be observed that power of style , in the sense in which I am here speaking of style , is something ...
... style for German poetry , as well as to provide contents for this style to carry ; and thus his labour as a poet was doubled . It is to be observed that power of style , in the sense in which I am here speaking of style , is something ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings