Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
Результаты поиска по книге
Результаты 1 – 3 из 48
Стр. 49
... taste that was prevalent when some of these poems were first published , seventeen years ago ; who has also observed to what degree the poetry of this island has since that period been coloured by them ; and who is further aware of the ...
... taste that was prevalent when some of these poems were first published , seventeen years ago ; who has also observed to what degree the poetry of this island has since that period been coloured by them ; and who is further aware of the ...
Стр. 50
... TASTE , I would remind the reader , like IMAGINATION , is a word which has been forced to extend its services far beyond the point to which philosophy would have confined them . It is a metaphor , taken from a passive sense of the human ...
... TASTE , I would remind the reader , like IMAGINATION , is a word which has been forced to extend its services far beyond the point to which philosophy would have confined them . It is a metaphor , taken from a passive sense of the human ...
Стр. 185
... Taste , and the Moral Sense . I place Taste in the middle , because it is just this position which , in the mind , it occupies . It holds intimate relations with either extreme ; but from the Moral Sense is separated by so faint a ...
... Taste , and the Moral Sense . I place Taste in the middle , because it is just this position which , in the mind , it occupies . It holds intimate relations with either extreme ; but from the Moral Sense is separated by so faint a ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
Авторские права | |
Не показаны другие разделы: 13
Другие издания - Просмотреть все
Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
Часто встречающиеся слова и выражения
admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings