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Page 74
problem of the relation of art and message ; and the relation becomes still more complicated by the nature of words , which may be used concretely to convey experience , or abstractly to convey ideas . Again , the sensuous quality of ...
problem of the relation of art and message ; and the relation becomes still more complicated by the nature of words , which may be used concretely to convey experience , or abstractly to convey ideas . Again , the sensuous quality of ...
Page 75
Truth , albeit artistic truth - the faithful rendering of the coherence of an experience is certainly significant , since without it no art can convince . It is difficult to understand in what sense Abercrombie uses the word real ...
Truth , albeit artistic truth - the faithful rendering of the coherence of an experience is certainly significant , since without it no art can convince . It is difficult to understand in what sense Abercrombie uses the word real ...
Page 215
We must now recall that a vast proportion of our experience we forget . Shaw , for example , entirely forgot a novel he had written : if he had not been obliged to recognise his own handwriting , he would have sworn he did not write it ...
We must now recall that a vast proportion of our experience we forget . Shaw , for example , entirely forgot a novel he had written : if he had not been obliged to recognise his own handwriting , he would have sworn he did not write it ...
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Contents
The Strategic Element in Modern Diplomacy | 1 |
The 1951 House of Commons | 2 |
The Festival of Britain and the Mess of Centuries | 3 |
Copyright | |
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