Elements of Criticism, Volume 2J. Bell and W. Creech, 1788 |
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Page 84
... Iliad , xxiii . 144- But when loud furges lafh the founding fhore , The hoarse rough verse should like the torrent roar . Pope's Effay on Criticism , 369 . Dire Scylla there a scene of horror forms , And here Charybdis fills the deep ...
... Iliad , xxiii . 144- But when loud furges lafh the founding fhore , The hoarse rough verse should like the torrent roar . Pope's Effay on Criticism , 369 . Dire Scylla there a scene of horror forms , And here Charybdis fills the deep ...
Page 89
... Iliad , xxiii . 138 . Fourthly , The impreffion made by rough founds in fucceffion , resembles that made by rough or tumultuous motion : on the other hand , the im- preffion of smooth founds resembles that of gentle motion . The ...
... Iliad , xxiii . 138 . Fourthly , The impreffion made by rough founds in fucceffion , resembles that made by rough or tumultuous motion : on the other hand , the im- preffion of smooth founds resembles that of gentle motion . The ...
Page 90
... Iliad , xiii . 1004 . The last fhall be of rapid motion prolonged : Not fo when swift Camilla fcours the plain , Flies o'er th ' unbending corn , and skims along the main . Effay on Crit . 373 . Again speaking of a rock torn from the ...
... Iliad , xiii . 1004 . The last fhall be of rapid motion prolonged : Not fo when swift Camilla fcours the plain , Flies o'er th ' unbending corn , and skims along the main . Effay on Crit . 373 . Again speaking of a rock torn from the ...
Page 185
... Iliad . xii . 505 . Another , from Milton , lies open to the fame ob- jection . Speaking of the fallen angels fearching for mines of gold . VOL . II . N A A numerous brigade haften'd : as when bands Of pioneers Ch . XIX . 185 COMPARISONS .
... Iliad . xii . 505 . Another , from Milton , lies open to the fame ob- jection . Speaking of the fallen angels fearching for mines of gold . VOL . II . N A A numerous brigade haften'd : as when bands Of pioneers Ch . XIX . 185 COMPARISONS .
Page 191
... Iliad , b . xii . 521 . Quem mulcent auræ , firmat fol , educat imber , Multi illum pueri , multæ cupiere puellæ ; Idem , cum tenui carptus defloruit ungui , Nulli illum pueri , nullæ cupiêre puellæ : Sic virgo , dum intacta manet , dum ...
... Iliad , b . xii . 521 . Quem mulcent auræ , firmat fol , educat imber , Multi illum pueri , multæ cupiere puellæ ; Idem , cum tenui carptus defloruit ungui , Nulli illum pueri , nullæ cupiêre puellæ : Sic virgo , dum intacta manet , dum ...
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Common terms and phrases
abſtract accent action Æneid againſt agreeable alfo alſo appears arts beauty becauſe caufe cauſe cenfured chap circumftance cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diftinguiſhed effect emotions Eneid Engliſh epic epic poetry example expreffed expreffion faid fame fecond fenfe fenfible feparation fhall fhort fyllables fhould fignify figure fimile fingle firft firſt fome ftill fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances inverfion itſelf ject language laſt lefs leſs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obfervation object occafion ornaments paffage paffion paufe pauſe perfon pleaſe pleaſure poem preſent profe purpoſe raiſed reaſon refpect reft reliſh reprefented reſemblance rhyme Richard II rule ſcene ſenſe ſeparated ſhall ſhort ſome ſpeech Spondees ſtill tafte taſte thefe theſe thing thoſe thou tion uſe vafes verfe verſe words