Shakespeare's SoliloquiesRoutledge, 2013 M04 15 - 224 pages First published in 1987. |
From inside the book
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Page 3
... look for these basic types , we find several at a time , interrelated , and the decisive factor is in any case not the type , or pattern , but what transcends it . Nevertheless , when Shakespeare began to write his plays he found ...
... look for these basic types , we find several at a time , interrelated , and the decisive factor is in any case not the type , or pattern , but what transcends it . Nevertheless , when Shakespeare began to write his plays he found ...
Page 9
... look at it from different angles and in different contexts . What , then , are the appropriate questions and consider- ations that will enable us to gain insight into the com- plexities of the soliloquy and its dramatic effects ? The ...
... look at it from different angles and in different contexts . What , then , are the appropriate questions and consider- ations that will enable us to gain insight into the com- plexities of the soliloquy and its dramatic effects ? The ...
Page 10
... look more closely at the awareness of time , at the soliloquy's commentary on past events and their evaluation . This is particularly relevant for Shakespeare . Does the soliloquy make the audience or the reader see what has just been ...
... look more closely at the awareness of time , at the soliloquy's commentary on past events and their evaluation . This is particularly relevant for Shakespeare . Does the soliloquy make the audience or the reader see what has just been ...
Page 14
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Page 18
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Contents
SOLILOQUIES FROM THE HISTORY | 13 |
Richard awakes from his nightmare his last | 19 |
KING JOHN | 29 |
Falstaffs reflections on honour V i 12541 | 38 |
TWO GENTLEMEN OF VERONA | 45 |
TWELFTH NIGHT | 51 |
ALLS WELL THAT ENDS WELL | 60 |
CYMBELINE | 72 |
35 | 100 |
OTHELLO | 163 |
KING LEAR | 171 |
CONCLUSION | 179 |
NOTES | 193 |
195 | |
202 | |
210 | |
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Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience's awareness becomes beginning Bertram Brutus character close comedy comic concrete contrast convey Cymbeline dagger death Desdemona dialogue dramatic dramatists earlier effect Elizabethan emotions epithalamium expression eyes Falstaff father feelings figure final soliloquy follow further Gentlemen of Verona gestures give Hamlet hath Helena honour human Iachimo II.ii images imagination Imogen impression inner Isabella Julius Caesar King Lear Lady Macbeth language last soliloquy Launce Lear's lines look loquy lovers magic Malvolio mind monologue murder nature night observation opening Othello particular passage plot pre-Shakespearean preceding scenes presented Prospero questions reflection reveal rhetorical Richard Richard III role Romeo and Juliet sense sentence Shakespeare Shakespeare's plays Shakespeare's soliloquies situation sleep soli soliloquizing speeches speaker speaks spoken style thee thou thoughts tragedies tragic Twelfth Night Tybalt utterances vision whole words