William Blake and the Cultures of Radical ChristianityAshgate Publishing, Ltd., 2007 M01 1 - 182 pages What was the extent of William Blake's religious learning? The chapters in this book will examine the close integration of religious radicalism with socio-political ideas. |
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Robert Rix. William Blake and the Cultures of Radical Christianity a ASHGATE ROBERT RIX Robert Rix is Assistant Professor in the Department of English. Front Cover.
Robert Rix. William Blake and the Cultures of Radical Christianity a ASHGATE ROBERT RIX Robert Rix is Assistant Professor in the Department of English. Front Cover.
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Contents
Libertines Liberators and Legislators | 25 |
Swedenborgianism | 47 |
From Swedenborg to Radical Politics | 67 |
International Swedenborgians in London | 85 |
The Divine Image | 105 |
The Marriage of Heaven and Hell as Satire | 121 |
The Visionary Marketplace | 135 |
Conclusion | 155 |
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Age of Reason Analytical Review angel annotations antinomian Behmen Behmenist believers Bentley Bible Blake's writing Boehme Cambridge charity Chastanier Christ claimed Coleridge Concerning Heaven criticism described devil dissent Divine Love doctrines E.P. Thompson early East Cheap eighteenth century Emanuel Swedenborg England English enthusiasm evangelical Everlasting Gospel faith Flaxman France French Revolution Heaven and Hell Hindmarsh History Holy Hymns ideas Illustrated interpretation Jacob Duché James Jerusalem Church Jesus John Clowes John Flaxman Johnson Joseph Last Judgment letter liberty London Love and Divine Magnetism Marriage millennial Milton moral Moravian Church mystical nation New-Jerusalem Magazine Nordenskjöld Oxford Paine's pamphlet plate poem political Priestley Princeton printed prophecy prophetic published radical Ranters religious Revelation Richard Robert Hindmarsh Scripture social Songs of Innocence spiritual world Swedenborg's writing Swedenborgian theology theosophist Thomas Paine Thomas Thorild tract trans translation True Christian Religion truth University vision visionary vols Wadström Wesley William Blake wrote