A guide to English literature. 3. From Donne to MarvellBoris Ford Penguin Books, 1956 |
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Page 60
Boris Ford. Caroline Poets and the Courtly Lyric The influence of the Court upon literature during this period varies ... lyrics , but differing in many ways from its Eliza- bethan counterpart . The lyrics are more independent of music ...
Boris Ford. Caroline Poets and the Courtly Lyric The influence of the Court upon literature during this period varies ... lyrics , but differing in many ways from its Eliza- bethan counterpart . The lyrics are more independent of music ...
Page 137
... lyrics appear in the masques that he wrote for the Court . The plays also contain numerous songs , some of which were set to music by Jonson's friend , Alfonso Ferrabosco . Generally , under the influence of Jonson and Donne the lyric ...
... lyrics appear in the masques that he wrote for the Court . The plays also contain numerous songs , some of which were set to music by Jonson's friend , Alfonso Ferrabosco . Generally , under the influence of Jonson and Donne the lyric ...
Page 196
... lyric grace ' , was inherited by Marvell from his literary master Ben Jonson . It pervades all of his best poetry , and is found in a particularly concentrated form in his love lyric To His Coy Mistress . The general idea on which this ...
... lyric grace ' , was inherited by Marvell from his literary master Ben Jonson . It pervades all of his best poetry , and is found in a particularly concentrated form in his love lyric To His Coy Mistress . The general idea on which this ...
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Common terms and phrases
Andrew Marvell Anglican argument baroque Ben Jonson Book Bunyan C. H. Herford Cambridge Carew Cavalier characteristic Charles Christian Church Civil classical common conceits contemporary Court Cowley Crashaw critical death divine Donne's dramatic E. M. W. Tillyard effect elegies Elizabethan emotional Essays experience expression F. R. Leavis feeling garden gentry Herbert Grierson History Hobbes Holy human imagery intellectual Jacobean John Donne Jonson kind L. C. Knights language Latin literary London lyric manner Marvell's medieval Metaphysical Poets Metaphysical wit Milton mind mood moral nature Oxford pamphlets Paradise Lost passages passion period Pilgrim's Progress poem poetic poetry political prose Puritan reader religion religious Renaissance Restoration rhythm Royalist satire sense sermons Seventeenth Century Shakespeare Sir Herbert Grierson social society songs soul spirit stanza style Suckling suggests T. S. Eliot theme theological thou thought tion tone tradition universe Vaughan verse vols whole words writing wrote