The Quarterly Review, Volumes 258-259John Murray, 1932 |
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Page 67
... play of any depth is normally slow ; the richer the psychological quality of a play , the slower its tempo of action . The power of holding an audience by the silent content of a scene derives largely from the Ibsen school of ...
... play of any depth is normally slow ; the richer the psychological quality of a play , the slower its tempo of action . The power of holding an audience by the silent content of a scene derives largely from the Ibsen school of ...
Page 40
... play in which also I see his hand . ) As has been said , plagiarism was rife in Elizabethan drama , and too much importance , therefore , must not be attached to these parallels or to others with Shakespearean plays ; but , even setting ...
... play in which also I see his hand . ) As has been said , plagiarism was rife in Elizabethan drama , and too much importance , therefore , must not be attached to these parallels or to others with Shakespearean plays ; but , even setting ...
Page 44
... plays through the Register for a single fee , never deliberately ascribed a play to any one who had had nothing to do with its authorship ; wherefore this entry may be regarded as having been made in good faith . It has been argued that ...
... plays through the Register for a single fee , never deliberately ascribed a play to any one who had had nothing to do with its authorship ; wherefore this entry may be regarded as having been made in good faith . It has been argued that ...
Contents
JANUARY | 1 |
The Bible in Scotland | 2 |
The Future of Gold in International Monetary Policy | 3 |
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