Oral InterpretationHoughton Mifflin, 1952 - 596 pages |
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Page 52
... analysis of a specific selection , and to suggestions for incorporating whatever is discovered through analysis into the oral communication . A SAMPLE ANALYSIS Since the previous chapter dealt with prose , it may be interesting here ...
... analysis of a specific selection , and to suggestions for incorporating whatever is discovered through analysis into the oral communication . A SAMPLE ANALYSIS Since the previous chapter dealt with prose , it may be interesting here ...
Page 456
... analysis which is as objective as possible . The final performance is a combination of the two approaches , with the reader's sub- jective response and appreciation guided and controlled by his objective analysis . And always , the ...
... analysis which is as objective as possible . The final performance is a combination of the two approaches , with the reader's sub- jective response and appreciation guided and controlled by his objective analysis . And always , the ...
Page 589
... analysis for , 28- 30 , 53-55 ; and imagery , 234-235 . See also Universality ; Individual- ity ; Suggestion Factual description , 227-228 Factual prose : strict definition of , 182-184 ; facts used to support a thesis ; news reports ...
... analysis for , 28- 30 , 53-55 ; and imagery , 234-235 . See also Universality ; Individual- ity ; Suggestion Factual description , 227-228 Factual prose : strict definition of , 182-184 ; facts used to support a thesis ; news reports ...
Contents
What Is Oral Interpretation? | 3 |
Selection and Evaluation of Material 133 | 13 |
Analysis Preparation and Presentation | 51 |
Copyright | |
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achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA imagery important inter interpreter's James Thurber Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play plot poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing