Oral InterpretationHoughton Mifflin, 1952 - 596 pages |
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Page 219
... spirit ; I was quite capable myself at many early stages of going mad in a quiet way ; but not by an exaggerated appetite for Hall & Knight's Algebra . There was another little boy with whom I walked to school in the same fortuitous ...
... spirit ; I was quite capable myself at many early stages of going mad in a quiet way ; but not by an exaggerated appetite for Hall & Knight's Algebra . There was another little boy with whom I walked to school in the same fortuitous ...
Page 315
... spirit that they were sent to church on Sundays with a twenty - five - cent piece for the collection plate . Meanwhile her taxes had been remitted . Then the newer generation became the backbone and the spirit NARRATION 315.
... spirit that they were sent to church on Sundays with a twenty - five - cent piece for the collection plate . Meanwhile her taxes had been remitted . Then the newer generation became the backbone and the spirit NARRATION 315.
Page 458
... Spirit of Night ! Out of thy misty eastern cave , Where all the long and lone daylight Thou wovest dreams of joy and fear , Which make thee terrible and dear , - Swift be thy flight ! 1 Reprinted from The Dream Keeper by Langston Hughes ...
... Spirit of Night ! Out of thy misty eastern cave , Where all the long and lone daylight Thou wovest dreams of joy and fear , Which make thee terrible and dear , - Swift be thy flight ! 1 Reprinted from The Dream Keeper by Langston Hughes ...
Contents
What Is Oral Interpretation? | 3 |
Selection and Evaluation of Material 133 | 13 |
Analysis Preparation and Presentation | 51 |
Copyright | |
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achieve action analysis appeal aspects attention attitude audience aware BRACK breath BRINK Carl Sandburg character climax complete Copyright CREON Culverin drama emotional example excerpt eyes factors feeling free verse give GRAMPS hand HEDDA imagery important inter interpreter's James Thurber Lin Yutang line-length listeners literary logical looked lyric MARY CLEOPHAS material meaning mental mind MISS TESMAN muscles narration narrative night oral interpretation paragraph pattern pause permission person physical pitch play plot poem poet poetry preter problem prose reader relaxation remember response rhyme rhythm Richard Cory Robert Frost scene selection sense sentence sound speech phrases stage directions stanza Stephen Vincent Benét stress structure suggestion syllable T. S. Eliot technique tension thee thing thou thought Tibault tion Tommy Tommy Brooks tone Toombs County verse VINNIE vocal voice vowel Walter Mitty words writing