Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 374
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
Стр. 460
... effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish between the ...
... effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish between the ...
Стр. 471
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear Aristotle artist attitude beauty Ben Jonson called character classical comedy conscious criticism divine doctrine drama dream effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards ideas images imagination imitation James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature ness never novel object Oedipus passage passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry possible present prose pure reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing