Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 63
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
Стр. 157
... interest but they are seen from a dis- tance . For the Jamesian central observer , through whose intelligence the story is usually relayed to us , has undergone a strange diminution . This observer is no longer a complete and interest ...
... interest but they are seen from a dis- tance . For the Jamesian central observer , through whose intelligence the story is usually relayed to us , has undergone a strange diminution . This observer is no longer a complete and interest ...
Стр. 509
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear Aristotle artist attitude beauty Ben Jonson called character classical comedy conscious criticism divine doctrine drama dream effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards ideas images imagination imitation James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature ness never novel object Oedipus passage passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry possible present prose pure reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing