Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 36
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
Стр. 385
... knowledge , at any one moment of time , gives him a knowledge of Dublin's past and present as a whole ; and it is only by such knowledge that the reader , like the characters , can place all the references in their proper context . This ...
... knowledge , at any one moment of time , gives him a knowledge of Dublin's past and present as a whole ; and it is only by such knowledge that the reader , like the characters , can place all the references in their proper context . This ...
Стр. 516
... knowledge , supposing that it would itself directly excite a right orientation to exist- ence , supposing that , if he only knew what the world was like , this knowledge in itself would show him how to feel towards it , what attitudes ...
... knowledge , supposing that it would itself directly excite a right orientation to exist- ence , supposing that , if he only knew what the world was like , this knowledge in itself would show him how to feel towards it , what attitudes ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character common conscious consider course criticism drama effect elements English example existence experience expression fact feeling force give given hand human ideas imagination imitation important individual interest kind knowledge language learned least less light literature living look manner matter mean merely method mind moral nature never novel objects observed once particular passion perhaps persons Philosopher play pleasure plot poem poet poetic poetry possible present principle produced pure question reader reason relation represent scene seems sense simple speak story style tell theory things thought tion tragedy true truth turn understand universal verse whole writing