Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 42
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
Стр. 358
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
Стр. 457
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character common conscious consider course criticism drama effect elements English example existence experience expression fact feeling force give given hand human ideas imagination imitation important individual interest kind knowledge language learned least less light literature living look manner matter mean merely method mind moral nature never novel objects observed once particular passion perhaps persons Philosopher play pleasure plot poem poet poetic poetry possible present principle produced pure question reader reason relation represent scene seems sense simple speak story style tell theory things thought tion tragedy true truth turn understand universal verse whole writing