Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 116
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " T HERE is a fundamental difference of ap- proach between ...
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " T HERE is a fundamental difference of ap- proach between ...
Стр. 213
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the transcendent excellence of Homer is manifest . He never attempts to make the whole war of Troy the ...
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the transcendent excellence of Homer is manifest . He never attempts to make the whole war of Troy the ...
Стр. 236
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character common conscious consider course criticism drama effect elements English example existence experience expression fact feeling force give given hand human ideas imagination imitation important individual interest kind knowledge language learned least less light literature living look manner matter mean merely method mind moral nature never novel objects observed once particular passion perhaps persons Philosopher play pleasure plot poem poet poetic poetry possible present principle produced pure question reader reason relation represent scene seems sense simple speak story style tell theory things thought tion tragedy true truth turn understand universal verse whole writing