Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 354
... present moment is specious ; it denotes the ever fluid passing of the " already " into the " not yet , " and ... present experience is what makes the present experience what it is . A novelist might try to indicate this by such ...
... present moment is specious ; it denotes the ever fluid passing of the " already " into the " not yet , " and ... present experience is what makes the present experience what it is . A novelist might try to indicate this by such ...
Стр. 355
... present moment is specious ; it denotes the ever fluid passing of the " already ” into the “ not yet , " and ... present experience is what makes the present experience what it is . A novelist might try to indicate this by such ...
... present moment is specious ; it denotes the ever fluid passing of the " already ” into the “ not yet , " and ... present experience is what makes the present experience what it is . A novelist might try to indicate this by such ...
Стр. 357
... present and without looking beyond the present . In Mrs. Dalloway , too , though the method is applied to her very much less in- tensely ( and she is already a woman near the end of her life ) , we have a feeling by the end of the book ...
... present and without looking beyond the present . In Mrs. Dalloway , too , though the method is applied to her very much less in- tensely ( and she is already a woman near the end of her life ) , we have a feeling by the end of the book ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear Aristotle artist attitude beauty Ben Jonson called character classical comedy conscious criticism divine doctrine drama dream effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards ideas images imagination imitation James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature ness never novel object Oedipus passage passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry possible present prose pure reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing