Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 137
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , ' one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , ' one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 431
... turn critics in their own defence : Each burns alike , who can , or cannot write , Or with a rival's , or an eunuch's spite . " An Essay on Criticism " was first published in 1711 , but it may have been composed as early as 1707 . All ...
... turn critics in their own defence : Each burns alike , who can , or cannot write , Or with a rival's , or an eunuch's spite . " An Essay on Criticism " was first published in 1711 , but it may have been composed as early as 1707 . All ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear Aristotle artist attitude beauty Ben Jonson called character classical comedy conscious criticism divine doctrine drama dream effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards ideas images imagination imitation James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature ness never novel object Oedipus passage passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry possible present prose pure reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing