Addison-Sir Roger de Coverley. Edited by FRANCIS WILCROFT. IS. Addison--Selected Essays from the Spectator. Edited by the Bacon-Selected Essays. Edited by the Rev. HENRY Evans, D.D. Browning-Strafford. Edited by AGNES WILSON. 25. Edited by W. KEITH Leask, Edited by W. KEITH Leask, Campbell-The Pleasures of Hope. Dryden-Essay of Dramatic Poesy. Edited by D. NICHOL SMITH, Selected Letters. Edited Goldsmith-She Stoops to Conquer and the Good-natured Man. Longfellow-The Courtship of Miles Standish. Edited by the Macaulay-Essay on Addison. Edited by CHARLES SHELDON, 25. Macaulay-Essay on Clive. Edited by JOHN DOWNIE, M.A. Macaulay-Essay on Horace Walpole. Edited by JOHN Downie, Macaulay-Essay on Milton. Edited by John Downie, m.a. 25. Macaulay-Essay on Pitt. Edited by C. J. BATTERSBY, M.A. 25. F'cap 8vo, cloth, is. 6d. Milton-Paradise Lost. Books I, II, and III. Edited by F. Gorse, Pope-Essay on Criticism. Crown 8vo, cloth, is. 6d. Edited by FREDERICK RYLAND, M.A. Pope-Rape of the Lock. Edited by FREDERICK RYLAND, M. A. Scott-The Lay of the Last Minstrel. F'cap 8vo, cloth, IS. Scott-The Lady of the Lake. Edited by W. Keith Leask, m. A. MILTON'S = LYCIDAS EDITED BY H. B. COTTERILL, M.A. SOMETIME ASSISTANT MASTER AT HAILEYBURY COLLEGE WITH A FRONTISPIECE LONDON BLACKIE & SON, LIMITED, 50 OLD BAILEY, E.C. GLASGOW AND DUBLIN 1902 8.11 PREFACE The names of writers to whom I am indebted for facts or opinions are mentioned with, I trust, sufficient frequency in the following pages. If, besides such facts and opinions, there is anything of any value in this edition, it is mainly due to information given and suggestions made by numerous correspondents, whose names, except that of one friend who prefers to remain anonymous, have likewise been mentioned. That part of the Introduction which deals with Milton's earlier poems may perhaps be found useful to the young reader who is wise enough to study these poems in connection with the Lycidas, thus gaining a point of view from which he will be better able to fully appreciate its beauties. There may be some difference of opinion as to the importance, educational or other, of the questions treated in the Appendices, but I do not doubt that both subjects will attract those who, without perhaps being botanists or rhythm-theorists, take an interest in flowers and in poetry. The question of the flower "inscribed with woe" is one which must be settled by an appeal to nature. I shall be grateful for any facts, whether or not they confirm my theory. On the subject of my first Appendix I should value anything worthy of the name of criticism. The question |