The Life of Shakespeare: Enquiries Into the Originality of His Dramatic Plots and Characters; and Essays on the Ancient Theatres and Theatrical Usages, Volume 2Longman, Hurst, Rees, Orme, Brown, and Green, 1824 |
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Page 7
... Iago continues suggesting to Othello that Desdemona and Cassio are carrying on an affair . Emilia picks up a handkerchief belonging to Desdemona . Emilia doesn't know why Iago had asked her to steal it , but she gives it to him . Iago ...
... Iago continues suggesting to Othello that Desdemona and Cassio are carrying on an affair . Emilia picks up a handkerchief belonging to Desdemona . Emilia doesn't know why Iago had asked her to steal it , but she gives it to him . Iago ...
Page
... Iago rather than Othello. The character Iago, unlike Othello or Cassio, is from an established aristocratic Venetian family and believes he should be given high office and status because of his heritage; he is contemptuous of his two ...
... Iago rather than Othello. The character Iago, unlike Othello or Cassio, is from an established aristocratic Venetian family and believes he should be given high office and status because of his heritage; he is contemptuous of his two ...
Page 205
... Iago's textual intervention. VII: IAGO's INTERVENTION Buthow can a character so imposing as Othello in the first half of the play be such an easy prey to Iago's deception?Whatis the nature of Iago's intervention? In The Order of Things ...
... Iago's textual intervention. VII: IAGO's INTERVENTION Buthow can a character so imposing as Othello in the first half of the play be such an easy prey to Iago's deception?Whatis the nature of Iago's intervention? In The Order of Things ...
Page 7
... Iago's character , meant to make him say that Cassio was ' actually damn'd in being married to a handsome woman , ' he would have made him say it outright , and not have interposed the palliative almost . Whereas , what he says at ...
... Iago's character , meant to make him say that Cassio was ' actually damn'd in being married to a handsome woman , ' he would have made him say it outright , and not have interposed the palliative almost . Whereas , what he says at ...
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... Iago's hatred is a limitation upon that improvisation. As long we describe the persona of Iago in the language of latent motives, Iago's actions confront us as an enigma. But when we see Iago through the primary thing he has identified ...
... Iago's hatred is a limitation upon that improvisation. As long we describe the persona of Iago in the language of latent motives, Iago's actions confront us as an enigma. But when we see Iago through the primary thing he has identified ...
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Common terms and phrases
actions Ambrogiulo Angelo Antony Apolonius appears Ariel ascribed assigned authority ballad Banquo beauty Belarius Bertram blood Boccacio brother Brutus Cæsar Caliban Cassio character Cinthio circumstances Cleopatra command conduct Cordelia Coriolanus crime Cymbeline daughter death deed demona Desdemona devil Donwald doth drama dramatist effect endeavour enemies father favour fear friends Giletta Guiderius guilt Hamlet hath heart Holinshed honour husband Iachimo Iago Iago's Imogen Julina Julius Cæsar king lady Lattantio Lear Lear's Leir Leontes Lieutenant Macbeth Macduff magic magician means Measure for Measure ment mind Moor murder nature ness never Nicuola night noble novel old play Othello passage passion person plot Plutarch poet Polixenes possession Posthumus prince Promos and Cassandra Prospero queen racter reply Rossiglione scarcely scene Shak Shakspeare Shakspeare's Silla solicited speak speare spirits story Sycorax tale thane thee thou thought Timon tion Troilus unto Viola virtue wife witches woman Zinevra
Popular passages
Page 25 - My father's spirit in arms ! all is not well; I doubt some foul play: 'would, the night were come! Till then sit still, my soul: Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes.
Page 152 - The night has been unruly : where we lay, Our chimneys were blown down ; and, as they say, Lamentings heard i...
Page 32 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long : And then, they say, no spirit dares stir abroad; The nights are wholesome ; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time.
Page 24 - What if it tempt you toward the flood, my lord, Or to the dreadful summit of the cliff That beetles o'er his base into the sea, And there assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness...
Page 310 - Some heavenly music, (which even now I do,) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Page 106 - Kent. Alas, sir, are you here? Things that love night Love not such nights as these; the wrathful skies Gallow the very wanderers of the dark, And make them keep their caves; since I was man, Such sheets of fire, such bursts of horrid thunder, Such groans of roaring wind and rain I never Remember to have heard: man's nature cannot carry Th
Page 47 - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Page 152 - Tis unnatural, Even like the deed that's done. On Tuesday last A falcon towering in her pride of place Was by a mousing owl hawk'd at and kill'd.
Page 230 - I found you as a morsel cold upon Dead Caesar's trencher. Nay, you were a fragment Of Cneius Pompey's...
Page 180 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.