Characteristics of Women: Moral, Poetical and Historical, Volume 1Saunders and Otley, 1846 - 295 pages |
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... OF INTELLECT . ISABELLA BEATRICE ROSALIND PAGE . 1 65 105 128 143 · CHARACTERS OF PASSION AND IMAGINATION . JULIET 155 HELENA 204 · PERDITA 230 VIOLA 245 OPHELIA 253 MIRANDA 280 • SUBJECTS OF THE VIGNETTES CONTAINED IN THE FIRST VOLUME .
... OF INTELLECT . ISABELLA BEATRICE ROSALIND PAGE . 1 65 105 128 143 · CHARACTERS OF PASSION AND IMAGINATION . JULIET 155 HELENA 204 · PERDITA 230 VIOLA 245 OPHELIA 253 MIRANDA 280 • SUBJECTS OF THE VIGNETTES CONTAINED IN THE FIRST VOLUME .
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... PERDITA . 22. VIOLA . 23. CUPID YOKING TWO ITALIAN GREYHOUNDS , 24. OPHELIA AND THE FATES . 25. SIMPLICITY . 26. ARIEL ( riding in the Crescent - moon . Laverifdie Staatsbibliothet München PORTIA IMOGEN LIET INTRODUCTION , ALDA . viii ...
... PERDITA . 22. VIOLA . 23. CUPID YOKING TWO ITALIAN GREYHOUNDS , 24. OPHELIA AND THE FATES . 25. SIMPLICITY . 26. ARIEL ( riding in the Crescent - moon . Laverifdie Staatsbibliothet München PORTIA IMOGEN LIET INTRODUCTION , ALDA . viii ...
Page 158
... - so sweetly confiding in Perdita - so playfully fond in Rosalind - so constant in Imogen - so devoted in Desdemona - so fervent in Helen -- so tender in Viola , -is each and all of these in Juliet 158 PASSION AND IMAGINATION .
... - so sweetly confiding in Perdita - so playfully fond in Rosalind - so constant in Imogen - so devoted in Desdemona - so fervent in Helen -- so tender in Viola , -is each and all of these in Juliet 158 PASSION AND IMAGINATION .
Page 163
... of pas- sion , not in the strength of character : -it is acci- dental rather than inherent , rising with the tide of feeling or temper , and with it subsiding . Her romance is not the pastoral romance of Perdita , nor JULIET . 163.
... of pas- sion , not in the strength of character : -it is acci- dental rather than inherent , rising with the tide of feeling or temper , and with it subsiding . Her romance is not the pastoral romance of Perdita , nor JULIET . 163.
Page 164
Moral, Poetical and Historical Anna Jameson. romance is not the pastoral romance of Perdita , nor the fanciful romance of Viola ; it is the romance of a tender heart and a poetical imagination . Her inexperience is not ignorance : she ...
Moral, Poetical and Historical Anna Jameson. romance is not the pastoral romance of Perdita , nor the fanciful romance of Viola ; it is the romance of a tender heart and a poetical imagination . Her inexperience is not ignorance : she ...
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Common terms and phrases
admiration affection ALDA Amleth Angelo Bassanio Beatrice beauty Benedick Bertram bosom breath brother Camiola character charm colours confess COUNTESS death delicacy dignity disguise drama earth eloquence exquisite eyes fair fancy father fear feeling female feminine FERDINAND flowers gentle grace Hamlet hath heart heaven Helena honour horror human imagination impression innocence intellect Isabel Isabella Lady Macbeth less look lord lover Madame de Staël maid marriage MEDON melancholy ment Merchant of Venice mercy mind Miranda moral mother nature never noble nurse o'er Olivia once Ophelia passion Perdita picture pity placed play poetical poetry POLONIUS Portia portrait racter romance Romeo and Juliet Rosalind Roussillon scene Schlegel scorn sense sensibility sentiment Shakspeare Shakspeare's Shylock simplicity sleeping potion soft soul speak spirit sweet temper tenderness thee Thekla things thou thought tion touch truth Twelfth Night vanity vex'd Viola virtue whole woman women word young youth