The Reception of Walter Pater in Europe

Front Cover
Stephen Bann
A&C Black, 2004 M01 1 - 295 pages
Just over a century after his death, Walter Pater's critical reputation now stands as high as it has ever been. In the English-speaking world, this has involved recovery from the widespread neglect and indifference which attended his work in the first half of the twentieth century. In Europe, however, enthusiastic disciples such as Hugo von Hofmannsthal in the German-speaking world and Charles Du Bos in France, helped to fuel a growing awareness of his writings as central to the emergence of modernist literature. Translations of works like Imaginary Portraits, established his distinctive voice as an aesthetic critic and his novel, Marius the Epicurean, was enthusiastically received in Paris in the 1920s and published in Turin on the eve of the Second World War. This collection traces the fortunes of Pater's writings in these three major literatures and their reception in Spain, Portugal, Poland, Hungary, and the Czech Republic.
Series Editor: Dr Elinor Shaffer: Institute of Germanic Studies, School of Advanced Study, University of London.
Contributors:

Stefano Evangelista, University of Bristol

Stephen Bann, University of Bristol

Benedetta Bini, University of Tuscia

Maurizio Ascari, University of Bologna

Elisa Bizzotto, University of Venice-Ca'Foscari

Emily Eells, University of Paris X-Nanterre

Benedicte Coste, Stendhal University, Grenoble

Wolfgang Iser

Ulrike Stamm, Berlin

Martina Lauster, University of Exeter

Mihaly Szegedy-Maszak, Eotvos University, Budapest

Martin Prochazka, Charles University, Prague

Adam Mickiewicz University, Poznan

Maria Teresa Malafaia, University of Lisbon

Jorge Miguel Bastos da Silva, University of Oporto

Jacqueline Hurtley, University of Barcelona

From inside the book

Contents

Introduction
1
Italian
19
2 The Fortune of The Renaissance in Italian Art Criticism 18941944
34
a General View
62
French
87
5 An untimely soul? Paters Academic Reception in France from the Early 1920s
117
German
142
Hofmannsthals Variations on a Paterian Theme
152
Hungarian
187
Czech
196
Polish
203
Portuguese
216
Catalan and Spanish
228
Bibliography
255
Index
281
Copyright

Rudolf Borchardts Centenary Essay Walter Pater 1939
169

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About the author (2004)

Stephen Bann is Professor of History of Art at the University of Bristol, UK.