Elements of Criticism, Volume 2M. Carey, 1816 |
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Page 10
... emotion raised by the length or shortness , the roughness or smooth- ness , of the sound , resembles in , any degree what is raised by the sense , we feel very remarkable pleasure . But this subject belongs to the third section . a The ...
... emotion raised by the length or shortness , the roughness or smooth- ness , of the sound , resembles in , any degree what is raised by the sense , we feel very remarkable pleasure . But this subject belongs to the third section . a The ...
Page 19
... emotions more peculiarly connected with the fine arts , I propose to handle in sepa- " rate chapters . " * Better thus : " Some emotions " more peculiarly connected with the fine arts , are " proposed to be handled in separate chapters ...
... emotions more peculiarly connected with the fine arts , I propose to handle in sepa- " rate chapters . " * Better thus : " Some emotions " more peculiarly connected with the fine arts , are " proposed to be handled in separate chapters ...
Page 20
... emotions mix sweetly in the mind , and double the pleasure ; but where the impressions made by the thought and the words are dissimilar , the unnatural union they are forced into is disagree- ble.t This concordance between the thought ...
... emotions mix sweetly in the mind , and double the pleasure ; but where the impressions made by the thought and the words are dissimilar , the unnatural union they are forced into is disagree- ble.t This concordance between the thought ...
Page 50
... emotions to related objects ; a principle in human nature that hath an extensive operation : and we find this operation , even where the objects are not otherwise related than by juxtaposition of the words that express them . Hence , to ...
... emotions to related objects ; a principle in human nature that hath an extensive operation : and we find this operation , even where the objects are not otherwise related than by juxtaposition of the words that express them . Hence , to ...
Page 64
... in any degree an heroic action ; and yet the emotions they produce , are concordant , and bear a resemblance Poet . L. iii . 1. 365-454 . to each other . We are still more sensible of 65 [ CHAP . 18 . Beauty of Language .
... in any degree an heroic action ; and yet the emotions they produce , are concordant , and bear a resemblance Poet . L. iii . 1. 365-454 . to each other . We are still more sensible of 65 [ CHAP . 18 . Beauty of Language .
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accent action admit Æneid agreeable appear beauty blank verse capital cause Chapter circumstance colour composition confined connected connexion couplet Demetrius Phalereus distinguished effect elevation emotions employed Eneid epic poem epic poetry equal example expression figure of speech Fingal foregoing garden give hath Hence Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression inversion ject Julius Cæsar kind language less light long syllable manner means melody metaphor mind motion nature never object observed ornaments Paradise Lost passion pause perceived perception period personification pleasure poet principal pronounced proper proportion prose reader reason regular relation relish resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sion sound Spectator Spondees substantive taste termed thee thing thou thought tion tone tragedy tree variety verb words writer
Popular passages
Page 171 - The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold ; Purple the sails, and so perfumed that The winds were love-sick with them : the oars were silver ; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous of their strokes.
Page 113 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. « Bright as the sun, her eyes the gazers strike, And like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide : If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Page 163 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge ; And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafning clamours in the slippery clouds, That, with the hurly, death itself awakes ? Canst thou, O partial sleep!
Page 227 - O, you hard hearts, you cruel men of Rome, Knew you not Pompey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Page 130 - The current that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But when his fair course is not hindered, He makes sweet music with the enamel'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage ; And so by many winding nooks he strays, With willing sport, to the wild ocean.
Page 193 - For the vineyard of the Lord of hosts is the house of Israel, And the men of Judah his pleasant plant: And he looked for judgment, but behold oppression; For righteousness, but behold a cry.
Page 242 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Page 229 - One cried, God bless us ! and, Amen, the other ; As they had seen me, with these hangman's hands, Listening their fear. I could not say, amen, When they did say, God bless us.
Page 121 - Two of far nobler shape erect and tall, Godlike erect, with native honour clad In naked majesty seemed lords of all, And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom...
Page 373 - The crow doth sing as sweetly as the lark When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.