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Page 101
For , at the best , the painter of the Crucifixion has to solve the difficult problem of giving sensuous expression to an idea which discredits the world of sense . The solution will be his , only if he understands the real nature of ...
For , at the best , the painter of the Crucifixion has to solve the difficult problem of giving sensuous expression to an idea which discredits the world of sense . The solution will be his , only if he understands the real nature of ...
Page 105
... was probably responsible for another feature of mediæval art , the custom of painting diptychs which bore on their leaves representations of the Nativity and the Crucifixion ; and triptychs which bore the Resurrection in addition .
... was probably responsible for another feature of mediæval art , the custom of painting diptychs which bore on their leaves representations of the Nativity and the Crucifixion ; and triptychs which bore the Resurrection in addition .
Page 109
Titian's Crucifixion ' in the Louvre , for example , shows a Christ who is no more than a brawny , struggling , fleshy man who , outraged and indignant , violently resents His executioners . Religious art was now ready for the ...
Titian's Crucifixion ' in the Louvre , for example , shows a Christ who is no more than a brawny , struggling , fleshy man who , outraged and indignant , violently resents His executioners . Religious art was now ready for the ...
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Contents
JANUARY | 1 |
The Problems of Malta | 10 |
WILL ENGLISH BE THE UNIVERSAL LANGUAGE | 47 |
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