A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 pages |
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Page 61
... close , that the first of the second series , marked 8 and called the octave , ( as before stated , ) should be added , in running the voice up- wards or downwards , in the order of the scale , or in what is called in musical science ...
... close , that the first of the second series , marked 8 and called the octave , ( as before stated , ) should be added , in running the voice up- wards or downwards , in the order of the scale , or in what is called in musical science ...
Page 77
... close of a sentence , which the key note does at the end of a tune . The combination above described , is called a triad because it is effected by three syllables , and a cadence because it possesses the properties of a per- fect close ...
... close of a sentence , which the key note does at the end of a tune . The combination above described , is called a triad because it is effected by three syllables , and a cadence because it possesses the properties of a per- fect close ...
Page 79
... close of a passage . The falling slide shuts up the sense at the last syl- lable of a cadence . Sometimes a falling tone is intro- duced in other cases where the sense is comple- ted , but where a cadence is not required . The prece ...
... close of a passage . The falling slide shuts up the sense at the last syl- lable of a cadence . Sometimes a falling tone is intro- duced in other cases where the sense is comple- ted , but where a cadence is not required . The prece ...
Page 81
... close is very perfect , as every step of the descent is strongly impressed by the full radical ( which is always the loudest part of a syllable ) upon the ear . Another form of cadence is presented in the following diagram . by mistake ...
... close is very perfect , as every step of the descent is strongly impressed by the full radical ( which is always the loudest part of a syllable ) upon the ear . Another form of cadence is presented in the following diagram . by mistake ...
Page 82
... close is also inferior in completeness to that of the first form of cadence . Another form still remains to be explained . In this , the fall is made upon a single syllable , the last of the sentence , which falls through three tones ...
... close is also inferior in completeness to that of the first form of cadence . Another form still remains to be explained . In this , the fall is made upon a single syllable , the last of the sentence , which falls through three tones ...
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Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Popular passages
Page 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Page 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Page 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Page 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Page 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Page 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Page 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Page 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.