A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 pages |
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Page 59
... slide of the voice , and is more particularly designated by writers on Elocution the upward and downward slide . If while the bow is drawn across it , the string be press- ed on the board , say at every second of time , at certain ...
... slide of the voice , and is more particularly designated by writers on Elocution the upward and downward slide . If while the bow is drawn across it , the string be press- ed on the board , say at every second of time , at certain ...
Page 69
... downward slide upon the I. ' Let the empha- sis be made so strong as to express a considerable de- gree of positiveness upon that word , and the slide will fall through a concrete fifth . He said it was ' I ... SLIDE 69 Falling Slide,
... downward slide upon the I. ' Let the empha- sis be made so strong as to express a considerable de- gree of positiveness upon that word , and the slide will fall through a concrete fifth . He said it was ' I ... SLIDE 69 Falling Slide,
Page 73
... downward slides at will , is possessed by few per- sons , we subjoin a table of alphabetic sounds for exercise , and ... slide is ( as will be seen hereafter ) one of the most striking means of emphasising words , of expressing ...
... downward slides at will , is possessed by few per- sons , we subjoin a table of alphabetic sounds for exercise , and ... slide is ( as will be seen hereafter ) one of the most striking means of emphasising words , of expressing ...
Page 77
... downward slide of a tone , the combination makes the triad of the cadence . cadence produces the same satisfactory effect upon the ear , at the close of a sentence , which the key note does at the end of a tune . The combination above ...
... downward slide of a tone , the combination makes the triad of the cadence . cadence produces the same satisfactory effect upon the ear , at the close of a sentence , which the key note does at the end of a tune . The combination above ...
Page 146
... downward slide . Examples of emphasis will of course , if read with pro- per expression , generally display a combination of ele- ments . For purposes of illustration , we must refer , in the respective examples , to such as are found ...
... downward slide . Examples of emphasis will of course , if read with pro- per expression , generally display a combination of ele- ments . For purposes of illustration , we must refer , in the respective examples , to such as are found ...
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Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Popular passages
Page 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Page 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Page 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Page 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Page 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Page 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Page 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Page 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.