A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 pages |
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Page 9
... • 38 40 43 47 54 55 56 57 58 Rising Slide , Falling Slide , Circumflex Slides , Elementary exercises on the slides of the voice , 63 66 67 69 70 72 Radical Pitch , Particular combination of melody , arising from 1 **
... • 38 40 43 47 54 55 56 57 58 Rising Slide , Falling Slide , Circumflex Slides , Elementary exercises on the slides of the voice , 63 66 67 69 70 72 Radical Pitch , Particular combination of melody , arising from 1 **
Page 59
... rising or falling in pitch , is invariably made whenever a syllable is spoken , or in other words is inseparable from the act of speech . It is usually called the slide of the voice , and is more particularly designated by writers on ...
... rising or falling in pitch , is invariably made whenever a syllable is spoken , or in other words is inseparable from the act of speech . It is usually called the slide of the voice , and is more particularly designated by writers on ...
Page 60
... rising above the other . To this series of seven sounds a second series may be added of the same number , beginning immediately above the first ; each sound in such second series bearing the same relation in pitch to every other sound ...
... rising above the other . To this series of seven sounds a second series may be added of the same number , beginning immediately above the first ; each sound in such second series bearing the same relation in pitch to every other sound ...
Page 66
... rising third , * fifth , and octave , and of the same falling concrete intervals , may be demon- strated in a similar manner upon the element I. The following is a scale shewing the intervals of the different slides . * Though the ...
... rising third , * fifth , and octave , and of the same falling concrete intervals , may be demon- strated in a similar manner upon the element I. The following is a scale shewing the intervals of the different slides . * Though the ...
Page 67
... rising slide of a second , the second figure a rising third , -the third a rising fifth , the fourth a rising octave . The remaining figures represent in the order in which they appear on the scale a falling second , third , fifth and ...
... rising slide of a second , the second figure a rising third , -the third a rising fifth , the fourth a rising octave . The remaining figures represent in the order in which they appear on the scale a falling second , third , fifth and ...
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Common terms and phrases
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Popular passages
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Page 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Page 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Page 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Page 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Page 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Page 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Page 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Page 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.