Elements of Criticism. Vol 1 [-3], Volume 1 - 365 pages |
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Page x
... Beauty , 4. Grandeur and Sublimity , 5. Motion and Force , 6. Novelty , and the unexpected appearance of Objects , 7. Rifible Objects , 8. Refemblance and Diffimilitude , 9. Uniformity and Variety , Appendix . Concerning the Warks of Na ...
... Beauty , 4. Grandeur and Sublimity , 5. Motion and Force , 6. Novelty , and the unexpected appearance of Objects , 7. Rifible Objects , 8. Refemblance and Diffimilitude , 9. Uniformity and Variety , Appendix . Concerning the Warks of Na ...
Page xi
... Beauty of Language , Sect . 1 , Beauty of Language with respect to Sound , 2. Beauty of Language with respect to Signification , 3. Beauty of Language from a resemblance between Sound and Signification , 157 4. Verfification , 19 ...
... Beauty of Language , Sect . 1 , Beauty of Language with respect to Sound , 2. Beauty of Language with respect to Signification , 3. Beauty of Language from a resemblance between Sound and Signification , 157 4. Verfification , 19 ...
Page 3
... beauty heightens all the organic feelings , as well as the intellectual : harmony , though it afpires to inflame devotion , difdains not to improve the re- lifh of a banquet . The pleasures of the eye and the ear , have other valuable ...
... beauty heightens all the organic feelings , as well as the intellectual : harmony , though it afpires to inflame devotion , difdains not to improve the re- lifh of a banquet . The pleasures of the eye and the ear , have other valuable ...
Page 26
... beauty of fmoke afcending in a calın morning . I am extremely fenfible of the difguft men ge- nerally have to abftract fpeculations ; and I would avoid it altogether , if it could be done in a work that profeffes to draw the rules of ...
... beauty of fmoke afcending in a calın morning . I am extremely fenfible of the difguft men ge- nerally have to abftract fpeculations ; and I would avoid it altogether , if it could be done in a work that profeffes to draw the rules of ...
Page 39
... And hence by the way it appears , that the beauty of fuch an object is complex , refolvable into feve ral beauties more fimple . proportionably fainter than that produced by the latter . Having C 4 Part I. 59 EMOTIONS AND PASSIONS .
... And hence by the way it appears , that the beauty of fuch an object is complex , refolvable into feve ral beauties more fimple . proportionably fainter than that produced by the latter . Having C 4 Part I. 59 EMOTIONS AND PASSIONS .
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Common terms and phrases
action againſt agreeable alfo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe circumftances confequently congruity connexion contraft courfe courſe criticifm defcribed defcription defire degree difagreeable diffimilar diftinct diftinguifhed diftrefs dignity effect elevation emotion raiſed emotions and paffions exift expreffion faid fame fcarce feeling feems fenfe fenfible fentiment fhall fhort fhould fhows figure fimilar final caufe fingle fingular fion firft fo complex focial fome fometimes fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furprife fwell grandeur gratification hath himſelf ideal prefence ideas Iliad impreffion inftances itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature nexion novelty obfcure obfervation objects of fight occafion oppofite Othello paffing pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity propriety puniſhment purpoſes qualities raife reafon refemblance refpect relation relifh riety rifible ſelfiſh tafte thefe theſe things thofe thoſe tion uniformity uſe variety