Elements of Criticism. Vol 1 [-3], Volume 1 - 365 pages |
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Page 25
... - pofite courfe . Elevation touches the mind no lefs A train of perceptions or ideas , with refpect to its uniformity and variety , is handled afterward , chap . 9 . than grandeur doth ; and in raising the mind to Ch , I. 25 IN A TRAIN .
... - pofite courfe . Elevation touches the mind no lefs A train of perceptions or ideas , with refpect to its uniformity and variety , is handled afterward , chap . 9 . than grandeur doth ; and in raising the mind to Ch , I. 25 IN A TRAIN .
Page 26
than grandeur doth ; and in raising the mind to ele- vated objects , there is a fenfible pleafure : the courfe of nature however , hath ftill a greater in- fluence than elevation ; and therefore , the pleasure of falling with rain , and ...
than grandeur doth ; and in raising the mind to ele- vated objects , there is a fenfible pleafure : the courfe of nature however , hath ftill a greater in- fluence than elevation ; and therefore , the pleasure of falling with rain , and ...
Page 33
СНАР . II . 33 EMOTIONS AND PASSIONS . OF all the feelings raised in us by external objects , thofe only of the eye ... raise emotions and paffions . To thofe who would excel in the fine arts , that branch of knowledge is in- difpenfible ...
СНАР . II . 33 EMOTIONS AND PASSIONS . OF all the feelings raised in us by external objects , thofe only of the eye ... raise emotions and paffions . To thofe who would excel in the fine arts , that branch of knowledge is in- difpenfible ...
Page 35
... any one who is under no distress of body nor of mind . The circumftances now mentioned , if they raise an emotion or paffion , cannot be entirely indiffer- ent ; for if fo , they could not make C 2 Part I. EMOTIONS AND PASSIONS . 35.
... any one who is under no distress of body nor of mind . The circumftances now mentioned , if they raise an emotion or paffion , cannot be entirely indiffer- ent ; for if fo , they could not make C 2 Part I. EMOTIONS AND PASSIONS . 35.
Page 36
... raised by an object in diftrefs , if that object did not give pain . What is now faid about the production of emo- tion or paffion , refolves into a very fimple propo- fition , That we love what is agreeable , and hate what is ...
... raised by an object in diftrefs , if that object did not give pain . What is now faid about the production of emo- tion or paffion , refolves into a very fimple propo- fition , That we love what is agreeable , and hate what is ...
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Common terms and phrases
action againſt agreeable alfo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe circumftances confequently congruity connexion contraft courfe courſe criticifm defcribed defcription defire degree difagreeable diffimilar diftinct diftinguifhed diftrefs dignity effect elevation emotion raiſed emotions and paffions exift expreffion faid fame fcarce feeling feems fenfe fenfible fentiment fhall fhort fhould fhows figure fimilar final caufe fingle fingular fion firft fo complex focial fome fometimes fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furprife fwell grandeur gratification hath himſelf ideal prefence ideas Iliad impreffion inftances itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature nexion novelty obfcure obfervation objects of fight occafion oppofite Othello paffing pain perceive perceptions perfon pleaſant emotion pleaſure prefent produce produceth propenfity propriety puniſhment purpoſes qualities raife reafon refemblance refpect relation relifh riety rifible ſelfiſh tafte thefe theſe things thofe thoſe tion uniformity uſe variety