her from perceiving that the muse of Tibullus breathed in this nameless poet." I hope Miss Alexander listened to the doctor's defence as she did to the poet's strains, with "silent modesty and dignified reserve." THE STOWN GLANCE O' KINDNESS. 'Twasna her bonnie blue e'e was my ruin ; Fair tho' she be, that was ne'er my undoing; 'Twas the dear smile when naebody did mind us, 'Twas the bewitching, sweet, stown glance o' kindness. T Sair do I fear that to hope is denied me, Sair do I fear that despair maun abide me; Mary, I'm thine wi' a passion sincerest, To a lady with blue eyes and flaxen ringlets, Burns seems largely indebted for his inspiration in song; and I am afraid that the poet persisted in pouring out his praise long after the lady had no other charm than personal attractions left. One of the flaxen-tressed heroines of Burns contrived to cast suspicion upon her chastity before her beauty was well budded:-but it would be discourteous to insist upon purity with a lady who had the weakness, or the boldness, never to care any thing for a virtue so sensitive and troublesome. : BONNIE LESLEY. O saw ye bonnie Lesley, As she gaed o'er the border? To spread her conquests further. To see her is to love her, And love but her for ever; For nature made her what she is, Thou art a queen, fair Lesley, The hearts o' men adore thee. The powers aboon will tent thee; Misfortune sha'na steer thee; Thou'rt like themselves sae lovely, That ill they'll ne'er let near thee. Return to Caledonie ! That we may brag, we hae a lass There's nane again so bonnie. Mr. Thomson sought to stay the march of "Macedonia's madman" into the region of Scottish song, but Burns was unexpectedly obstinate, and Alexander keeps his place; though all who sing the song must wonder what he is doing there. The heroine, Miss Lesley Baillie of Ayrshire, now Mrs. Cuming of Logie, was on her way to England through Dumfries; Burns accompanied her towards the border, and on his way home made this song in her honour, and an exquisite song it is. The poet believed that he had parodied an old song, beginning with My bonnie Lizie Bailie, I'll rowe thee in my plaidie; but the resemblance exists only in the first verse, and in the bard's imagination. It was to such casual inspirations that we owe many of his finest songs. GUDEWIFE, COUNT THE LAWIN. Gane is the day, and mirk's the night, And blude-red wine's the rising sun. Then, gudewife, count the lawin, There's wealth and ease for gentlemen, For ilka man that's drunk's a lord. My coggie is a haly pool, That heals the wounds o' care and dool; And pleasure is a wanton trout An' ye drink but deep, ye'll find him out. Then, gudewife, count the lawin, Then, gudewife, count the lawin, And bring a coggie mair. Good drinking songs are few in number; and England, with all her admiration of her brown ale and her wine, has poured but little drunken inspiration into verse. The ancient verses which suggested this song to Burns are not unknown, nor do they deserve to be forgotten. O, ilka day my wife tells me, That ale and brandy will ruin me; But though gude drink shou'd be my dead, O, gudewife, count the lawin, The lawin, the lawin; Then, gudewife, count the lawin, And bring a coggie mair. The hero of the old song seems resolved not to settle with the hostess over an empty measure, and it is evident he will as little rise from a full one. THE BONNIE WEE THING. Bonnie wee thing, cannie wee thing, I wad wear thee in my bosom, In that bonnie face o' thine; Lest |