ANIO.

Arbroath, ib.-Kirriemuir, 271-
battles, 271-273-the Civil War,
273-nobility and gentry, 275-
the Lindsays and Ogilvies, 276-
Douglas and Carnegie line, 277-
Grahams, 278-castles and country
houses, 278-280.

Anio, The Upper, 211, 441-the
river at Tivoli, 442-at Vicovara,
444-the Licenza, 445, 447--haunts
of Horace, 446-448-the sites of his
villa, 447-fish, 449-San Cosi-
mato, ib. ancient aqueducts, 451
-Subiaco, 451, 461-ruins, 452-
the site of Nero's villa, ib. - the
lakes, 452, 454—a place of portents,
453-the lakes, the Anio Novus, 454
-Benedictine monasteries, 455-461

-the Scolastica, 456-Sagro Speco,
457-the voice of the river, 463.
Anne, Queen, 214, 72-her letters, 73
—marriage, 87.

Annual Register, for 1803, extract
from, 221, 401 note.

Anson, Sir William R., Autobio-
graphy of the third Duke of
Grafton,' edited by, 209, 324 note
-The Law and Custom of the
Constitution,' 210, 605.

Anstey, F., The New Bath Guide,'
lines from, 216, 337, 346.

APOSTOLICAL.

Anthesteria, the festival of the dead,
209, 518.
Anthology, The Greek, 215, 23—
vitality of the language, 24-
characteristics of the poems, 24,
31, 41-the life depicted, 25-
childhood, ib.-youth, 26-middle
age, ib.-old age, 27-J. W.
Mackail's prose translation, ib.-
difficulties of verse translation, 28
-various collections of English
versions, 28-30, 36-sadness, the
general tone of the poems, 32-
patriotism, 33-tendencies of philo-
sophy, 34-36-character of the
literary epitaphs, 36-the poems of
Meleager, 38-of P. Silentiarius, ib.
-appreciation of the beauty of
flowers, 39-idealisation of the
beauties of nature, ib.-dread of the
sea, 40-wit and humour, 41.
Anti-Jacobin or Weekly Examiner,'
210, 733, 738.

Antony and Cleopatra,' Shake-
speare's, 204, 329-Coleridge's criti-
cism, 329, 331-character of the
drama, 329 et seq.-defective con-
struction, 331-lack of dramatic
action, 332-death-scene of Eno-
barbus, 333-scenes portraying
Cleopatra, ib.-Antony's relations
with Cleopatra, 334, 341, 343-345-
character of Octavius, 336-338-
his love for his sister Octavia, 337-
two aspects of the tragedy, 340
-character of Antony, 341-343-
of Cleopatra, 346-350,

Ursprung des Gnostizismus,' 213,

Apollo the Helper, Temple of, 208,

258.

Apostolical Succession, doctrine of
the, 205, 206.

6

Apsley, Frances, correspondence with
Queen Mary II, 214, 72-her
assumed name, 73-marriage, 86.
Aquinas, Thomas, his 'Summa,' 221,

259-' Commentaries,' ib.

Ara Pacis Augustæ reliefs, 204, 115.
Arabia, Southern, transfer of, to
British sway, 218, 582.

Arabo-Syrian Congress, in Paris, 219,
281.

Arabs, their invasion of East Africa,
204, 51-character of their rule,
52-campaigns against, 54.

their characteristics, 210, 250-
relations with the Turk, ib.-pro-
test against the use of the Turkish
language, 688.

their grievances against the
Young Turks, 216, 209-revolu
tions, 210.

their assistance in the war
between Turkey and Italy, 217,
259-263-indifference to priva-
tion and pain, 260.
Arbelet, Paul, editor of 'Journal d'
Italie,' 215, 351-on the influence
of Lesage on Steudhal, ib.

Arbiter in Council, 208, 250.
Arbitral Justice, Court of, proposed
establishment, 208, 235.

Arbitration, International, the prac-
tice of, 208, 232. See Hague Con-
ference.

Arblay, Mdme d', her marriage, 204,
94-Diary and Letters, 95, 97. See
Burney.

Arcadia,' number of editions, 211,
74-sale of manuscript copies, 79
-account of the romance, 83-89.
Archbold, J. D., 'The Standard Oil
Company: Some Facts and
Figures,' 209, 468 note.

W. A. J.,

The Somerset
Religious Houses,' 209, 78.
Archer, Henry, proposes the adoption
of perforated stamps, 218, 399.

William, 'The Works of
Henrik Ibsen,' edited by, 205, 375

-The Elizabethan Stage,' 208,
442- Play-making; a manual of
Craftmanship,' 219, 80.

Architects and Sculptors,' 205, 464.
Architecture, French Renais-
sance, 217, 136-works on, ib.---
failure of the early master-masons,
138-influence of Italian art, 138,
142 et seq.-Revival of Learning,
140-Gothic, 141-works of Italian
artists, 143, 144, 147, 149-in-
fluence of the Jesuits, 145-pro-
duction of domestic buildings, 146
-predominance of academic uni-
formity, 147-influence of Serlio,
ib.-the work of Francis I, 148-
method of building the chateaux,
150-the work of P. De l'Orme, 151
—J. Bullant, 152—P. Lescot, 153—
Neo-Classic style, 155, 157-post-
Tridentine style, 155-construc-
tion of the Louvre and the Luxem-
bourg, 156-country-houses, ib.-
Sir C. Wren's visit to Paris, 157–
Rococo spirit, 158.

Gothic and Renaissance,
215, 139-characteristics of Roman,
140-superseded insular style, 141
-church-building, 142-adoption
of the pointed arch, 143-result
of the abandonment of the basilica

213, 405; 219, 80-his inductive
method in politics, 203, 177-
influence of Plato, 204, 81—' Con-
stitution of Athens,' discovery of,
208, 335, 347, 350-his views on
the inventors of tragedy, 209, 505
-the logic and philosophy of, 221,
138.
Armada, The, Spanish works on, 202,
156 views on, 157.
Armaments, the limitations of, 208,
230. See Hague Conference.

Growth of Expenditure
on, 216, 224-result of unpre-
paredness for war, 225-the German
Navy, ib.—growth of expendi-
ture during the past 110 years,
226-231-amount of national in-
come, 227, 232-civil expenditure,
231-population, 232-amount of
the external trade, 233-military
expenditure in India and other
parts of the Oversea Empire, ib.—
offers from the Dominions on Im-
perial defence, 233-236-scheme of
defence in Australia, 236, 239-
Canada, 237-239-South Africa,
239-increase of expenditure com-
pared with other naval Powers, 241
-charge for interest on loans, 242
-compared with the German
Estimates, ib.-expenditure in rela-
tion to foreign trade, 243—total
per head, 244-amount of invest-
ments abroad, 245-financial posi-
tion, 245-247.

Stellung in der Weltwirtschaft,' 212,
480.

Oxford, 226-private Secretary to
Lord Lansdowne, 228-withdraws

ib.-

of Hours and Wages in Relation
to Production,' 208, 159.

criticism of himself, 232, 238-mar-
riage, 233—school inspector, ib.-
services to education, 235, 246—
prejudice against the Noncon-
formists, ib.-elected to the pro-
fessorship of Poetry at Oxford, 236

'Merope,' ib.-'New Poems,'
237-political views, 239-view of
natural science, 241-his poems,
242-prose contributions, 242, 243
-character of his writings, 244,
248-advocacy of a British aca-
demy, 247-lack of concentration,
248.

Arnold, Matthew, Influence of Neo-

Classicism on his writings, 203, 23—
his criticism on the poetry of Oliver
Goldsmith, 207, 344-his preface
to "The Six Chief Lives from
"Johnson's Lives of the Poets,"
edited by, 208, 72-his 'Selections
from the Poems of Wordsworth,'
210, 412, 416-contributor to the
"Quarterly Review,' 211, 322-his
sonnet The Austerity of Poetry,'
212, 62—' The Study of Celtic
Literature,' 371, 375, 383 on
the meditations of M. Aurelius,
563, 571-his verses on a river, 213,
86-his power as a critic, 217, 2,
10-religious views, 10-his criti-
cism on Gray, 220, 392.

Dr Thomas, his son, 202,
223-broad-minded spirit, 224-
his influence on education, 217, 2
-religious views, 9.

W. T., sub-editor of the
'Manchester Guardian,' 203, 492-
his characteristics, 493-study of
Goethe's mother, ib.-death, 494
-German Ambitions,' 209, 578.

Mrs William, her translation

the creation of, 219, 81-cha-
racteristics, 82.

definition of, 203, 77.

of Gambling, The, 204, 461.
See Gambling.

History and Criticism, 221,
486-theory of a product of deterio-
rated conditions, 487-incapacity
of discriminating between sub-
limity and mediocrity, 488——the
work of Crowe and Cavalcaselle,
489 et seq.-Mr Berenson's 'Lo-
renzo Lotto,' 490-his method of
criticism, 491-the disputed pic-
ture Sposalizio,' 493-Morelli's
system, 495-interest in Primitives,
ib.-great art a shifting conception,
496 views of Crowe and Caval-
caselle, 497-499-modern view of
art, 499-appointment of Guide-
Lecturers for the London Galleries,
500--four qualities essential to
good work, 501-Ruskin's text for
art, 502-result of the doctrine of
an Ideal Beauty superior to truth,
502-505-the working touchstone,
life, 505.

Modern British, and the
Nation, 205, 126-definition of the
term, 127-tendency of 'realism,'
128-the 'end' and the 'means,'
ib.-influence of environment on
the artist, 129-portrait-painting,
130-decrease of subject-pictures,
ib.-the 'golden period of the
seventies, 131-competition of pho-
tography, 132—-abandonment of
completeness and adoption of im-
pressionism, 133-neglect of beauty,
ib.-want of design or composition,
134-Preraphaelitism, 135-the art