Romeo and JulietPenguin UK, 7 апр. 2005 г. - Всего страниц: 320 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... comes to judging the three characters involved in this holy but secretive act, the verdicts 'innocent' or 'guilty' are both too simple. The theatre is not a court of law. But it does stage questions of justice and the diculty of ...
... comes to judging the three characters involved in this holy but secretive act, the verdicts 'innocent' or 'guilty' are both too simple. The theatre is not a court of law. But it does stage questions of justice and the diculty of ...
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... comes round, and they die, almost together; the play seems to conclude in the glooming dawn of Thursday morning. Though it does not sport a neo-Aristotelian unity of time as The Tempest does (in which the real time of performance ...
... comes round, and they die, almost together; the play seems to conclude in the glooming dawn of Thursday morning. Though it does not sport a neo-Aristotelian unity of time as The Tempest does (in which the real time of performance ...
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... comes the lady. O, so light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression whatever on the unyielding world over which it passes, so light, so swift ...
... comes the lady. O, so light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression whatever on the unyielding world over which it passes, so light, so swift ...
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... come and go. This orchard is a happy successor to the sycamore grove mentioned by Benvolio at the start, where Romeo tries to hide his narcissistic, masturbatory self, 'to himself so secret and so close', as his father says (I.1.149) ...
... come and go. This orchard is a happy successor to the sycamore grove mentioned by Benvolio at the start, where Romeo tries to hide his narcissistic, masturbatory self, 'to himself so secret and so close', as his father says (I.1.149) ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young