Elements of Criticism, Volume 2A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 307
... musical than where the sense is left in any degree doubtful . A rule deservedly occupying the second place , is , That words expreffing things con- nected in the thought , ought to be placed as near together as possible . This rule is ...
... musical than where the sense is left in any degree doubtful . A rule deservedly occupying the second place , is , That words expreffing things con- nected in the thought , ought to be placed as near together as possible . This rule is ...
Page 352
... musical notes . With respect to high and low notes , pronunciation is still more inferior to finging . For it it obfer- ved by Dionyfius of Halicarnassus * , that in pronouncing , i . e . without altering the aperture of the windpipe ...
... musical notes . With respect to high and low notes , pronunciation is still more inferior to finging . For it it obfer- ved by Dionyfius of Halicarnassus * , that in pronouncing , i . e . without altering the aperture of the windpipe ...
Page 355
... musical impreffion . To produce this impression , variety is necessary as well as number . The successive founds or fyllables , must be some of them long , some of them short ; and if also high and low , the music is the more perfect ...
... musical impreffion . To produce this impression , variety is necessary as well as number . The successive founds or fyllables , must be some of them long , some of them short ; and if also high and low , the music is the more perfect ...
Page 356
... musical expreffion . Every one being fenfible that there is no music in a continued found ; the first inquiries were probably carried no farther , than that to produce a musical expreffion , a number of founds is necessary ; and musical ...
... musical expreffion . Every one being fenfible that there is no music in a continued found ; the first inquiries were probably carried no farther , than that to produce a musical expreffion , a number of founds is necessary ; and musical ...
Page 367
... musical foot ; because , to pre- serve the melody , they must all be pronounced together , with- out any ftop . 6. And therefore , whatever number there are of pauses in a Hexameter line , the parts into which it is divided by these ...
... musical foot ; because , to pre- serve the melody , they must all be pronounced together , with- out any ftop . 6. And therefore , whatever number there are of pauses in a Hexameter line , the parts into which it is divided by these ...
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Common terms and phrases
accent agreeable alſo beauty becauſe beſt betwixt cafe caſe cauſe chap circumſtance claſs cloſe compoſed compoſition connected couplet courſe cuſtom deſcription diftinguiſh dignity diſagreeable diſcover diſtreſs eaſy elevation emotions Engliſh eſt examples expreffion expreſſed expreſſion external figns fame fion firſt fome fuch habit hath Hexameter Hudibras impreffion impreſſion inſtances inverſion itſelf juſt language laſt leſs long and ſhort meaſure melody mind moſt muſical muſt nature neceſſary object obſerved occafion paffion pain paſſage paſſion pauſe period perſon pleaſure preſent profe pronounced propriety purpoſe raiſed reaſon reliſh repreſented reſemblance reſpect reſt rhyme ridicule rule ſame ſay ſcarce ſecond ſeems ſenſe ſenſible ſentiments ſeparation ſeveral ſhall ſhe ſhort fyllables ſhould ſhows ſigns ſome ſometimes ſounds ſpeaking ſpecies ſpectator ſpeech Spondees ſtate ſtill ſtrong ſtyle ſubject ſubſtantive ſuch ſuggeſt taſte ther theſe things thoſe thou thought tion uſe verſe words
Popular passages
Page 101 - Of every hearer; for it so falls out, That what we have we prize not to the worth, Whiles we enjoy it; but being lack'd and lost, Why, then we rack the value; then we find The virtue, that possession would not show us, Whiles it was ours...
Page 226 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Page 218 - Like Niobe, all tears, why she, even she — O God ! a beast that wants discourse of reason, Would have mourn'd longer — married with mine uncle, My father's brother, but no more like my father Than I to Hercules...
Page 221 - tis no matter; Honour pricks me on. Yea, but how if honour prick me off when I come on ? how then ? Can honour set to a leg? No. Or an arm? No. Or take away the grief of a wound ? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour? What is that honour? Air. A trim reckoning ! — Who hath it? He that died o
Page 211 - So, oft it chances in particular men, That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion...
Page 72 - Hampton takes its name. Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take— and sometimes tea. Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th...
Page 211 - Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners ; that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star, Their virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption From that particular fault : the dram of eale Doth all the noble substance of a doubt To his own scandal.
Page 426 - ... to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide : If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Page 217 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Page 67 - Kiss, Not Tyrants fierce that unrepenting die, Not Cynthia when her Manteau's pinn'd awry, E'er felt such Rage, Resentment, and Despair, As Thou, sad Virgin ! for thy ravish'd Hair. For, that sad moment, when the Sylphs withdrew, And Ariel weeping from BELINDA flew, Umbriel...